The Tilta Mirage Pro carbon fibre clamp-on matte box fastens straight onto the lens through interchangeable backings, made in eight diameters from 95 to 136 mm.
The Tilta Mirage Pro carbon fibre clamp-on matte box fastens straight onto the lens through interchangeable backings, made in eight diameters from 95 to 136 mm.
It takes three 4×5.65″ filters stacked, and each tray is held by its own tie-down screw.
The basic kit includes 67 to 82 mm adapter rings for photographic lenses and a mounting bracket for 15 mm LWS rods.
The Tilta Mirage Pro Matte Box Basic Kit is a carbon fibre clamp-on matte box that fastens straight onto the front of the lens. Interchangeable backings cover eight diameters from 95 to 136 mm, three 4×5.65″ filters stack inside, and the body strips down to 621.5 g. The basic kit adds 67 to 82 mm adapter rings for photographic lenses and a mounting bracket for 15 mm LWS rods.
The Mirage Pro body is made of high-strength, matte-finish carbon fibre. In its most compact configuration it weighs 621.5 grams, so it does not drag the rig down on a gimbal or a crane. The whole matte box is a kit of parts: hood, flags, filter trays and backing all come off without tools, so you build exactly the configuration the scene calls for.
The Mirage Pro clamps straight onto the front of the lens, with no cage and no rods. Tilta makes the clamp-on adapters in eight diameters — 95, 100, 104, 110, 114, 125, 134 and 136 mm — so the matte box fits cine lenses as readily as large photographic glass. The backing is changed on its own, so swapping lenses does not mean rebuilding the whole rig.
The matte box takes three stackable 4×5.65″ filter trays, so you can combine neutral density, polarisation and diffusion at once. A tray accepts glass from 2 to 4 mm thick, which covers filters from practically every brand. They load from the top without removing the hood, so a filter change takes seconds.
The trays are not held by one shared lever — each has its own tie-down screw, so a filter cannot fall out during a fast car move or a drone flight. The inside of the matte box and the top flag carry an anti-glare coating developed by Tilta: it absorbs stray light through diffused reflection instead of throwing it back into the lens.
The carbon fibre hood sits on a magnetic clip-on mount with a quick-release button, so it goes on and off one-handed and without tools. Without the hood the matte box is noticeably lighter and still carries all three filters, which helps on a gimbal or anywhere every gram counts. When you shoot into the light, the hood simply goes back on.
The top flag has side extensions angled at 55°, so it covers a wider arc than a flat plate. Left, right and bottom flags are available alongside it, letting you block light from all four sides. All are carbon fibre and fit without tools; when you leave them off, the top surface stays free, with 1/4″–20 threads and locating pins for accessories.
The swing-away adapter lets the whole matte box hinge aside when you change lenses, without taking it off the rods. The same combination lets you tilt the matte box by ±25° and shift it ±15 mm in height, which removes the reflections that form between the filter glass and the front element. Tilt is set with a dial, or remotely through the optional MB-T17-WA whip adapter.
The rubber donut kit contains three sizes — 80 to 95, 95 to 114 and 114 to 136 mm. The donut fills the gap between the lens and the backing of the matte box so no side light gets in. The matte box opening is deliberately wide and sits shallow, which is why the Mirage Pro copes with lenses down to 16 mm.
A hard matte is a rigid mask that slides in front of the filters and narrows the opening to exactly the sensor format or the focal length in use. It cuts off light falling outside the frame so it never enters the rig and never veils the image. Tilta supplies five sizes to choose from according to the lens.
When the matte box should not hang off the lens itself, it goes onto rods. Tilta offers two mounts for it: a mounting bracket for a fixed seat, and a rod adapter that additionally provides height and tilt adjustment. Both exist for 15 mm LWS and for 19 mm studio rods, so the matte box suits a lightweight rig as well as a full one.
The kit travels in a moulded case with compartments for trays, adapters and filters, together with a smaller accessory bag. Every part has its place, so nothing gets hunted for between takes and reconfiguring the matte box is quick.
The ±25° tilt and ±15 mm height adjustment only work with the swing-away adapter + rod adapter + rubber donut together. The mounting bracket supplied in the basic kit is rigid.
The MB-T17-WA whip adapter and the whip itself are bought separately, as is the wireless motor.
The 114 mm variable ND filter, the swing-away adapter, the adjustable rod adapter, the rubber donut kit, the hard matte masks, the side and bottom flags, clamp-on adapters in other diameters and the universal motor adapter. All of that is already in the VND Kit (MB-T17-A).
Special offers and discounts for subscribers only · Free audio & video workshops · News and tips from the world of filmmaking