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Temporarily (or until sold out) included in the price of the camera Blackmagic Design Pocket Cinema Camera 6K Pro also viewfinder Blackmagic Pocket Cinema Camera Pro EVF!

Press Release

Blackmagic Design today announced a new family of live production switchers that include powerful broadcast features, while including the latest electronics technology so they are extremely affordable. The new models are a 1 M/E model with 10 x 3G‑SDI inputs, 2 M/E model with 20 x 3G‑SDI inputs and a 4 M/E model with 40 x 3G‑SDI inputs. All models include full standards conversion on every SDI input, 4 ATEM advanced chroma keyers per M/E row, a DVE per M/E row, media players, larger media pool and much more. These new switchers are designed as a professional upgrade for ATEM Mini customers who need to expand, or for large broadcasters who want to upgrade their studios to get a modern switcher. ATEM Constellation HD switchers are available immediately starting at 919 EUR ex. VAT.

ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so customers can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections.

With a control panel built into the front panel, customers can simply walk up and operate the ATEM Constellation at any time. Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. Customers can even control keyers, media and fade to black from the front panel. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed.

The ATEM Constellation HD family features models that have up to 40 independent 3G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher. That means customers could have each switcher SDI input running a different television standard and all the inputs will just work.

The ATEM Constellation HD family have a massive number of fully independent 3G-SDI outputs. Even the small 1 M/E model has 6 x 3G-SDI outputs. Then the 2 M/E model has 12 x 3G-SDI outputs and the 4 M/E model has a massive 24 x 3G-SDI outputs. These SDI outputs are very powerful because customers can independently route any SDI input or any internal source to each SDI output. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.

The built in multiview lets customers monitor multiple sources on a single monitor. The 1 M/E model includes 1 multiview, the 2 M/E model has 2 independent multiviews and the 4 M/E model has 4 independent multiviews. All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. Customers can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so customers know what sources are on air.

ATEM Constellation HD includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions.

To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. Customers get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. Customers can even use channels 13 and 14 for engineering talkback.

The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. The built in media pool holds graphics for use with the media players and the 1 M/E model can hold 20 stills and 200 frame animations, the 2 M/E model can hold 40 stills and 400 frame animations and the 4 M/E model can hold 60 stills and 600 frame animations.

For news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. Customers get precise controls for edge and flare, and there is even a foreground color corrector so customers can match the "look" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. Customers get 4 ATEM Advanced Keyers on the 1 M/E model, 8 ATEM Advanced Keyers on the 2 M/E model and 16 ATEM Advanced Keyers on the 4 M/E model.

With 4 upstream chroma keyers per M/E row, customers get the perfect solution for building virtual sets. With so many ATEM advanced chroma keyers, customers can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M/E model has enough keyers to generate a 4 camera virtual set. Customers can use external image processors for virtual sets, or customers can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. Customers can setup macros to change cameras and load the correct background into the media players. With so much flexibility, customers can experiment to try out different studio setups.

In addition to the DVEs in the M/E rows, the 2 M/E and 4 M/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture in picture displays for interviews because customers can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M/E Constellation even has 2 completely independent SuperSource processors.

The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus the program outputs include talkback, tally and camera control information. That means customers can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.

With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher. Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M/E model has extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. Customers get extra channels for the analog input, talkback microphone and media players. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel.

The ATEM Software Control Panel gives customers total control over their switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. The ATEM Software Control also lets customers access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. Customers can even save the full state of the switcher as XML files, plus all media is backed up from the media pool.

All rows of M/E buttons include integrated LCDs for dynamic input button labeling. The 1 M/E model features a single M/E row with 10 input buttons. The 2 M/E model features 2 M/E rows with 20 input buttons. The massive 4 M/E model features 4 M/E rows with 40 input buttons per row and 4 independent system control LCD screens.

Unlike other switchers, all features are included in the purchase price. That means customers get all features fully enabled and always ready for use. There are no license fees to allow customers to use features and no ongoing monthly costs. This means users will never experience a license expiring 5 minutes before their program starts. Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use.

ATEM Constellation HD Switchers Features

• Advanced design with built in front panel controls.
• Up to 40 standards converted 3G-SDI inputs.
• Up to 24 customizable 3G-SDI outputs.
• Includes up to 4 independent multiviews with multiple layout options.
• Includes DVE and stinger transitions.
• Includes up to 4 DVEs.
• Professional talkback compatible with ClearCom and RTS.
• Internal media for stills and motion graphics.
• Includes new ATEM Advanced Chroma Key.
• 4 upstream ATEM Advanced Chroma keyers per M/E row for green/blue screen work.
• Up to 4 independent DVEs.
• Multi rate 3G-SDI for all HD television standards including 720p, 1080i and 1080p.
• Built in 156 channel Fairlight audio mixer.
• Includes free software control panel.
• Compatible with all ATEM hardware control panels.
• All features are included with no extra customer costs.

Availability and Price
ATEM Constellation HD switchersare available immediately from 919 EUR ex. VAT.

Press Photography
Product photos of the Blackmagic Cloud Pod, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984.

Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

Blackmagic Design announced HyperDeck Extreme 4K HDR, a new broadcast deck with advanced H.265 4K recording featuring a touch screen user interface with built in scopes and HDR screen. HyperDeck Extreme 4K HDR will be available in April 2022 for 2795 EUR ex. VAT.

HyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support. With the ability to record up to 4K in H.265, customers get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of their recording as well as control over all deck settings. Customers can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.

HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view their recording. HyperDeck Extreme also includes 2 media slots, 12G-SDI, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.

With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow customers to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs. The scopes also help customers QA masters to ensure compliance with broadcast standards before streaming and broadcast.

The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs.

CFast media support allows customers to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so customers can swap out any full cards even during recording, allowing infinite length recording.

Sometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped.

Customers will be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. The built in scopes even change to HDR scopes when working in HDR formats. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Extreme HDR LCD color gamut can even handle 100% of the DCI-P3 format.

HyperDeck Extreme features full internal waveform monitoring so customers can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of their input or playback signal. The vectorscope display allows customers to see the intensity of color at 100% SDI reference levels. Customers also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in their images and highlights or shadows clipping.

H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports Apple ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro X.

With 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. It uses an easy text based protocol plus customers can use Telnet to test control commands. To upload media files remotely, customers can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and play out.

Availability and Price
HyperDeck Extreme 4K HDR will be available in April 2022 for 2795 EUR ex. VAT.

Press Photography
Product photos of the HyperDeck Extreme 4K HDR, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984.

Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

Blackmagic Design announced Blackmagic Cloud Store a new extremely high performance network storage solution with four 10G Ethernet connections and a parallel memory core that can sustain maximum possible transfer speeds on each 10G Ethernet port, all at the same time. The Blackmagic Cloud Store features an elegant design that’s been specifically designed for the requirements of the television and high end film industry.

Blackmagic Cloud Store will be available in Q2 2022 from 8495 EUR ex. VAT.

Blackmagic Cloud Store is the perfect network storage solution for any use. But it's perfect for film and television where large media files need to be shared between multiple users for editing, color correction, audio post and VFX work. It even handles massive 12K Blackmagic RAW digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve.

Unlike IT industry storage products that are rack mounted and have loud cooling fans, the Blackmagic Cloud Store is an elegant vertical design that's portable. It's also whisper quiet so it can be used on location. Internally it has an array of flash memory cards working in parallel for speed and data protection. The four 10G Ethernet ports operate as a switch so customers can connect four separate computers, or they work together using "link aggregation" for a massive 40G Ethernet speed. There is also an HDMI monitoring output so customers can watch a live graphic view of the storage operating on a TV or monitor.

The Blackmagic Cloud Store is available in 20 TB, 80 TB and massive 320 TB models, so customers have lots of space for all their business files and video media. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. Plus the M.2 cards are arranged in parallel RAID 5 groups so they can operate much faster than a single card. That ensures massive speed combined with fault tolerance.

With 4 separate very high speed 10G Ethernet connections, Blackmagic Cloud Store is extremely fast. The internal memory core has been designed to saturate all four 10G Ethernet ports to their theoretical maximum speed, all at the same time. At maximum speed, the Blackmagic Cloud Store is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is incredibly smooth, even if it’s used with massive digital film camera files.

Now customers can setup a local cache of their Dropbox files. This makes working much faster because files are instantly available without needing to be loaded from the internet. Blackmagic Cloud Store will constantly work to stay in sync. Plus customers can also save space on their computer by moving cached Dropbox files to the Blackmagic Cloud Store so they are accessible to everyone on their local network. Customers can even sync multiple Blackmagic Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. Dropbox is also a fantastic backup solution.

The most exciting feature is the HDMI monitoring output. Simply connect a TV or monitor to see live status of the Blackmagic Cloud Store. The storage map shows a graphic representation of the memory core and where the read and write access is happening for the connected users. There are also four graphs that show customers the data transfers on the four main 10G Ethernet connections. The main space indicator shows customers the capacity of the memory core and how much is currently used. The status for each Dropbox connection is also shown. It's even possible to see connected users and the power supply status.

The Blackmagic Cloud Store has four high speed 10G Ethernet ports, which are only found on expensive workstation computers. The Blackmagic Cloud Store is so fast, it will run each 10G Ethernet port to its maximum capacity. With a built in Ethernet switch, each port can be plugged into a separate computer, or they can be used together for 40G Ethernet. Two extra 1G Ethernet ports let customers keep the 10G Ethernet ports free for faster computers.

Modern laptop computers are so thin, they often don't even have an Ethernet connection. Blackmagic Cloud Store has a USB-C to Ethernet adapter built in and customers can access it simply by plugging their computer into the USB-C port on the store. That means customers can just plug in to quickly grab files when customers need them urgently.

The two USB-C ports on the Blackmagic Cloud Store can be used for loading and backup of files. If customers connect a media card reader or a USB-C disk to the ingest port, then all files on that disk will be loaded into the cloud store. Backup is also important and while Dropbox is a good backup solution, by connecting a USB disk to the backup port, customers can do local backups without any ongoing costs and with total privacy. It works with a USB-C disk, or even large USB-C disk arrays.

One of the big advantages of Blackmagic Cloud Store is that it’s private storage that customers fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of their usage or data. That means customers can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, customers get enterprise level performance, but with total freedom.

When customers need to change settings, customers can use the Blackmagic Cloud Store utility that's available on Mac and Windows. The utility also lets customers add Dropbox sync folders.

Blackmagic Cloud Store Features
Elegant design with whisper quiet cooling.
Features 20 TB, 80 TB and 320 TB models.
Extremely high performance RAID 5 flash memory.
Sync to Dropbox.
Includes HDMI monitoring output with live storage status.
Includes four 10G Ethernet ports with built in switch.
Supports Ethernet over USB-C connection to computers.
USB-C ports allow local ingest and backup of files.
No subscriptions, no licenses and no user data tracking.
Includes software utility for Mac and Windows platforms.

Availability and Price
Blackmagic Cloud Store will be available in Q2 2022 from 8495 EUR excluding VAT.

Press Photography
Product photos of the Blackmagic Cloud Pod, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984.

Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

Blackmagic Design announced Blackmagic Cloud Store Mini a new network storage solution with the high performance of 4 M.2 flash memory in a RAID 0 configuration. With its built in 10G Ethernet, the Blackmagic Cloud Store Mini is extremely fast so it allows multiple users to collaborate on video editing in software such as DaVinci Resolve. Plus with Dropbox sync, multiple units can be synchronized across different geographic locations.

Blackmagic Cloud Store Mini is available immediately for 2.655 EUR ex. VAT.

Blackmagic Cloud Store Mini is the perfect network storage solution for any use. It's great for film and television where large media files need to be shared between multiple users for editing, color correction, audio post and VFX work. It even handles massive 12K Blackmagic RAW digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It’s the perfect solution for DaVinci Resolve.

Blackmagic Cloud Store Mini features a compact rack mount design that's very portable and whisper quiet. Internally it has an array of 4 flash memory cards working in parallel for higher speed. The 10G Ethernet port and the 1G Ethernet port operate as a 2 port network switch. There is also an HDMI monitoring output so customers can watch a live graphic view of the storage operating on a TV or monitor.

The Blackmagic Cloud Store Mini is available with 8 TB of flash memory, so customers have lots of space for their files. That’s fantastic for television production, as it’s small enough to be portable, but it has enough storage space for lots of video media. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. Plus the four M.2 cards are arranged in a parallel RAID 0 group so they can operate much faster than a single card. That ensures enough speed to keep up with the 10G Ethernet connection.

With a separate very high speed 10G Ethernet connection, Blackmagic Cloud Store Mini is very fast. The internal memory core has been designed to saturate the 10G Ethernet port to its theoretical maximum speed, even with multiple users connected. Even at maximum speed, the Blackmagic Cloud Store Mini is extremely quiet with very little cooling fan noise. It’s so fast, multicam editing is very smooth, even if it’s used with large digital film camera files.

Now customers can setup a local cache of their Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. Blackmagic Cloud Store Mini will constantly work to stay in sync. Customers can even sync multiple Blackmagic Cloud Store Minis via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. Dropbox is also a fantastic backup solution.

The most exciting feature is the HDMI monitoring output. Simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store Mini. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show customers the data transfers on the Ethernet connections. The status for each Dropbox connection is also shown. It's even possible to see connected users and the power supply status.

The Blackmagic Cloud Store Mini has a high speed 10G Ethernet port, which is only found on expensive workstation computers. The Blackmagic Cloud Store Mini is so fast, it will run the 10G Ethernet port to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time.

Modern laptop computers are so thin, they often don't even have an Ethernet connection. Blackmagic Cloud Store Mini has a USB-C to Ethernet adapter built in and customers can access it simply by plugging their computer into the USB-C port on the store. Once customers have connected the Cloud Store Mini’s USB-C connection to their computer, customers have an Ethernet connection to the store. That means customers can just plug in to quickly grab files when customers need them urgently.

The USB-C ports on the Blackmagic Cloud Store Mini can be used for the backup of files. Backup solutions are important, because even though M.2 cards are extremely reliable, Blackmagic Cloud Store Mini uses RAID 0 so it’s always a good idea to backup any storage device. To solve this problem, simply connect a disk to the USB-C port, so customers can do local backups without any ongoing costs and with total privacy. It works with a single USB-C disk, or a USB-C disk array.

One of the big advantages of the Blackmagic Cloud Store Mini is it’s private storage that customers fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of their usage or data. Customers don't even need to log into a web page to maintain the storage settings, because Blackmagic Cloud Store Mini uses a free to download software utility that runs on Mac and Windows. That means customers can run a private network, totally disconnected from the internet.

Blackmagic Cloud Store Mini Features
Compact rack mount design with quiet cooling.
Four internal M.2 flash memory cards for 8 TB capacity.
RAID 0 memory configuration for high performance.
Sync to Dropbox.
Includes HDMI monitoring output with live storage status.
Includes fast 10G Ethernet and 1G Ethernet ports.
Supports Ethernet over USB-C connection to computers.
USB-C ports allow local backup of files.
No subscriptions, no licenses and no user data tracking.

Availability and Price
Blackmagic Cloud Store Mini is available immediately for 2.655 EUR ex. VAT.

Press Photography
Product photos of the Blackmagic Cloud Pod, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984.

Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.