News

New Features
Additional Recording Format
4K/UHD 59p/50p 420_10bit@200Mbps
4K/UHD 29p/25p/23p/24p 420_10bit@150Mbps

IP Live Control. Please refer to our Website concerning the updates about operation checked products.

Capturing function (still image [jpg] from video) is added.

While recording or playback on HLG mode, camera can convert HLG to SDR and then output it. This works on LCD/SDI/HDMI respectively. [Related menu] OUTPUT SETTINGS > SDI OUT > SDI OUT HDR > [SDR/HDR], HDMI OUT > HDMI OUT HDR > [SDR/HDR], LCD HDR > [SDR/HDR]. Assignable to USER SW (LCD/SDI/HDMI respectively). Status indication such as “HDR” or “SDR” on HOME MENU / EVA ROP.

OSD displays Focusing point. (m/ft switchable). "SDI / HDMI" and "LCD" can be set individually. [Related menu] OUTPUT SETTING > SDI/HDMI INDICATOR > FOCUS > [feet / m / OFF], OUTPUT SETTING > LCD INDICATOR > FOCUS > [feet / m / OFF].

2ch AWB MEMORY (AWB A/B switchable). [Related menu] CAMERA SETTING > WHITE > VALUE > [AWB MEMORY A / [AWB MEMORY B].

Increasing ease of use on system setting. Some functions assignable on USER SW. “SETUP FILE” list popping up on display with pressing USER SW. “VFR ON/OFF” switchable with USER SW. Selectable from SLOT 1 or SLOT 2 when loading SETUP/SCENE FILE

Canon lens “CN-E70-200mm T4.4 L IS KAS S” and EXTENDER can be used in combination.

Improvements
SD card setting operability is improved to detect the card correctly. 1. LED lighted as soon as inserting SD card, 2. Message modified to encourage reseating SD card. CHECK CARD -> REINSERT or CHECK CARD.

Though in rare cases, some TV monitors couldn’t display the camera HDMI output. It is improved.

Audio menu configuration (CH1/CH2/STEREO/MIX) couldn’t be set to a built-in speaker output. This problem is fixed.

The TIME ZONE information on CLIP was displayed with the plus time difference even if it is the minus time difference at TIME ZONE. This problem is fixed.

The DSMC2 Touch 7.0" Ultra-Brite LCD offers a high-definition viewing experience for recording and viewing footage on your DSMC2 camera system, even in direct sunlight. A 1920 x 1200 resolution display panel provides 2200 nits of brightness to overcome viewing difficulties in bright outdoor environments. Featuring a wide color gamut display, the display provides enhanced color accuracy. The high pixel density (at 323 ppi) and 1200:1 contrast ratio also helps to deliver exceptional image quality. A robust, optically-bonded touchscreen with Gorilla Glass provides the most intuitive way to navigate menus, adjust camera parameters, and review your .R3D clips directly out of the camera. The lightweight display mounts to your DSMC2 BRAIN or other 1/4-20 mounting surface and provides a LEMO connection to connect to your camera. The DSMC2 Touch 7.0" Ultra-Brite LCD is an ideal monitoring option for gimbals, cranes, and remote (away from the camera) viewing.

Datavideo’s first new product of the year 2019 is the SE-500MU HD 4 Channel Switcher. Looking at its appearance, the SE-500MU may appear like an ordinary video switching device but without any keys on the front. The Datavideo’s R&D team, inspired by the simplicity and mobility of the tablet, has designed a mobile app for the SE-500MU switcher that runs on iOS and Android in order to allow our users to operate it at a remote location. The iOS and Android apps can be downloaded for free.

This software update improves user interface responsiveness and playback performance for editing and Fairlight audio. DaVinci Resolve 15.2.3 also features better multicam and ganged clip playback, faster saving of projects with live save enabled, more reliable importing of projects from previous versions, improved keyboard shortcuts, more accurate stabilization for videos with horizontal or vertical flips and more. This version requires a DaVinci Resolve Studio dongle or software activation code.

Company 3 colorist Greg Fisher emulated an analogue film look to suit the Queen biopic’s 1980s backdrop using DaVinci Resolve. Watch the trailer! DaVinci Resolve also helped create the BBC Sounds commercial! The spot was graded by Time Based Arts colorist Simone Grattarola, while audio post was completed in Fairlight by 750mph. Watch it on YouTube.