News

Blackmagic Design Announces Support for Next Generation of Adobe Premiere Pro and After Effects

PRESS RELEASE

April 10, 2013

Blackmagic Design announced that its entire range of desktop video products will support the next generation of professional video editing software from Adobe®, including Adobe® Premiere® Pro and Adobe After Effects®. The integration will be available as a free download from the Blackmagic Design site when these future Adobe products are available. See related Adobe sneak peeks: adobe.com/go/nab_reveal.



Adobe’s next generation of pro video tools will include powerful new editing timelines and shortcuts and audio mixing with Adobe Premiere Pro and new creative and visual effects tools with Adobe After Effects. The integration will continue to include Blackmagic Design support for Adobe Mercury Transmit that allows broadcast video monitoring to connect directly into the Adobe Mercury Playback engine that gives an incredible amount of real time effects with any video format and codec.

Blackmagic Design’s award winning DeckLink, UltraStudio and Intensity lines will be able to take full advantage of the powerful new features being included in the next versions of Adobe Premiere Pro and After Effects. DeckLink, UltraStudio and Intensity lines include the world’s highest performance capture and playback cards for Mac, Windows and Linux. Including both PCIe and Thunderbolt based technology, these products come in both internal and external models and are used by professionals globally in every aspect of film and video production.

The combination of Blackmagic Design's desktop video range and the next version of Adobe's professional video tools will give video editors, post professionals, motion graphics and interactive designers amazing new workflows to create and deliver incredible stories quickly and professionally! With Blackmagic Design capture and playback solutions, customers using Adobe’s next generation of pro video tools will be able to capture and work with the highest quality compressed and uncompressed video formats. Video can be captured from decks, cameras, live feeds and other sources for editing, compositing and graphics production.

“Blackmagic Design products are designed to allow customers to have the freedom to work with whatever products and in whatever medium they want. Both Adobe and Blackmagic Design understand that customers need to work with the best tools, and Adobe’s next generation video products have been built around incredible new editing and effects features, but also around being open applications,” said Grant Petty, CEO of Blackmagic Design.

Press Photography
Product photos of Blackmagic Design products are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, United Kingdom, Japan, Singapore, and Australia. For more information, please check www.blackmagicdesign.com.

Blackmagic Design Announces DaVinci Resolve 10

PRESS RELEASE

April 10, 2013

Blackmagic Design announced DaVinci Resolve 10, a major upgrade that includes new features for integrating the workflows of multiple different software products used in the film and television industry. DaVinci Resolve 10 has upgraded on set tools, upgraded editing features, support for OpenFX plug ins as well as new tools for delivering final project masters to cinemas.DaVinci Resolve 10 will be demonstrated on the Blackmagic Design NAB 2013 booth at #SL218.

DaVinci Resolve 10 has been developed to simplify the integration of different software tools used in the film and television industry, allowing timelines to be moved into and out of DaVinci Resolve and other edit software such as Final Cut Pro, Avid and Premiere Pro.



As workflows have changed, more post production is now started on set during the shoot. Lighting and other aspects of the shoot are also often verified based on color correction checks and DaVinci Resolve 10 has new powerful tools to manage this process. The new Resolve Live feature allows color grading direct from the video input live with full creative power such as primaries, secondaries, power windows, custom curves and more. Grades can be stored and then relinked when the camera files are loaded.

DaVinci Resolve 10 includes enhanced editing features and allows online finishing of edits performed in other popular editing software. This means multiple users can submit scenes in large complex jobs from the applications they prefer to use, and DaVinci Resolve 10 can finish online from the original camera RAW files for dramatically better quality than would be available when finishing in a standard NLE software package. If any scene needs additional editing, it can be moved back to the NLE software letting editors use the tools they love.

New editing features include full multi track editing with 16 channels of audio per clip and unlimited video and audio tracks in the timeline. Audio can be synced or trimmed and dragged independently to the timeline. Other new editing features include extensive ripple, roll, slide and slip clip trimming support which display dynamically on the timeline and viewer. The viewer also allows split screen display to show in and out points of adjacent clips.

A good example of the online editing process is when an edit has been completed in Final Cut Pro X that includes mixed frame rates, mixed media types, multiple audio tracks and even color corrections. DaVinci Resolve 10 will support import of that project via XML and will online it including full translation of all these elements while rendering the master from the original RAW camera files. This means that Final Cut Pro X editors can use DaVinci Resolve 10 as the tool to online their work for cinema release and generate the Digital Cinema Package file directly from the camera RAW files.

Editing in DaVinci Resolve 10 also includes a powerful title tool with static, lower third, scroll and crawl titles with multiple fonts, size, drop shadow and XY positioning. Timelines in DaVinci Resolve 10 also include the support of compound clips with multiple elements including multiple video and audio tracks. Also, DaVinci Resolve 10 can be used for stereoscopic 3D projects with full support for left and right eye clips in the media pool and the edit timeline. Using timecode and reel name, DaVinci Resolve 10 will automatically associate the left and right eye of the stereoscopic clips.

Color correction features have been upgraded in DaVinci Resolve 10, including support for industry standard OpenFX plug ins with an unlimited number of plug ins per clip. There are now unlimited power windows per corrector node and the new Gradient PowerWindow™ lets colorists quickly add a gradient across the image. Other new color correction features include copy and paste of tracking data, motion effects including spatial and temporal noise reduction and motion blur effects.

For project delivery, DaVinci Resolve 10 includes full audio track visibility in the deliver window timeline as well as EasyDCP integration so users can render directly from their project timeline into a Digital Cinema Package for release to theaters. Because DaVinci Resolve 10 allows rendering from the camera RAW file directly to the Digital Cinema Package files in the highest quality 32 bit float, there is simply no better quality possible for a cinema release master. Customers simply need to purchase a license from EasyDCP to enable this feature.

DaVinci Resolve 10 also supports additional media types and continues to be the industry leader in file based workflows because it operates with virtually all video file types available. New formats include JPEG 2000 decoding and encoding, AVI clip decoding, playback and more.

“One thing I have found extremely frustrating over the last few years is the incompatibility between software tools for video. I think it makes life very hard for people working in post production where multiple people are working on different parts of the job and using all kinds of different software tools. With DaVinci Resolve 10 we have worked hard to help all these tools work together, depending on what the customer wants to do,” said Grant Petty, CEO, Blackmagic Design. “This is what customers actually need and we think they will love all the work we have done to help make this high end workflow simple and easy. We think customers will love the powerful new on set tools, online editing and finishing, color correction updates and project delivery features in this massive software update!”

About DaVinci Resolve
Blackmagic Design’s DaVinci Resolve is the world’s highest performance on set, editing and color correction solution for Mac OS X, Windows and Linux computers. DaVinci Resolve supports more real time color correction than any other system because it’s not limited by the performance of the computer it’s running on. DaVinci Resolve eliminates this performance barrier because it’s based on a cluster of high performance GPU cards, so all processing is always real time. DaVinci Resolve has the power of a true real time performance solution so handles complex color grades even when using dozens of primaries, secondaries, Power Windows™, multi point tracking, blurs, and more. DaVinci Resolve provides incredible performance in a low cost solution which can be easily upgraded by adding extra GPU’s for supercomputer power to handle 4K resolutions, stereoscopic 3D and real time grading direct from raw camera files such as ARRI RAW, RED RAW and Sony RAW files which can be handled with ease.

Availability and Price
DaVinci Resolve 10 will be available Q3 2013 and will be a free upgrade for existing DaVinci Resolve customers.

Press Photography
Product photos of the DaVinci Resolve 10, and all other Blackmagic Design products, are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, United Kingdom, Japan, Singapore, and Australia. For more information, please check www.blackmagicdesign.com.

Blackmagic Design Announces Blackmagic Pocket Cinema Camera

PRESS RELEASE

April 9, 2013

Blackmagic Design announced Blackmagic Pocket Cinema Camera, a beautifully designed, pocket sized digital cinema camera that includes powerful features such as Super 16mm sized 1080HD sensor, super wide 13 stops of dynamic range, built in SD card recorder for Apple ProRes, lossless compressed CinemaDNG RAW capture and active Micro Four Thirds lens mount, all in an attractive compact design for approx. 755 EUR.

Blackmagic Pocket Cinema Camera will be demonstrated on the Blackmagic Design NAB 2013 booth at #SL218.

Since the original Blackmagic Cinema Camera was launched at NAB 2012, it has been celebrated by industry professionals for its amazing film look and accurate and cinematic color. The new Blackmagic Pocket Cinema Camera has most of the features of its bigger brother, including its feature film look, but has been redesigned with a dramatically smaller size that is less than an inch thick and can be held easily in your hand.



This compact design allows the Blackmagic Pocket Cinema Camera to be used in more situations where a larger camera would not be practical. It’s so small that it can be used in situations in the field where a larger camera could be dangerous. The camera’s film look even allows personal video to be shot with the style and creativity of a motion picture film!

The Blackmagic Pocket Cinema Camera features an industry standard Super 16 sensor size, so it’s perfect when using Super 16 cine lenses via MFT adapters, as the shooting experience is the same as using the same lens on a Super 16 film camera. The 13 stops of dynamic range look of the Blackmagic Pocket Cinema Camera is almost identical to shooting on a professional Super 16 film camera. The Micro Four Thirds lenses offer a wide range of low cost lenses with amazing image quality, and they are compatible with mount adapters such as PL mounts for large lens and professional motion picture film rigs.

One of the most important features of the Blackmagic Pocket Cinema Camera is its super wide dynamic range of 13 stops, allowing feature film quality images. A common mistake in the television industry is the assumption that more resolution means higher quality. Most cameras, even ones with higher than HD resolution, can produce"video" looking images that suffer from highlight and black clipping that limits details. Blackmagic Pocket Cinema Camera's wide dynamic range eliminates this problem and provides film quality with dramatically more detail retained in black and whites in the image. Once the shoot is complete, DaVinci Resolve Lite color correction software can be used to adjust images and take advantage of this extra range in the images.

To eliminate the damage that low bit depth and high compression video storage creates, the Blackmagic Pocket Cinema Camera includes a easy to use SD card recorder that allows the full sensor dynamic range to be recorded in professional ProRes 422 (HQ) format, as well as 12 bit Log RAW lossless compressed CinemaDNG format. These files can be read by high end video software as they are all open standard. In addition to the regular CinemaDNG RAW format, Blackmagic Design will also be implementing a QuickTime wrapper for the open standard CinemaDNG and companion codec, allowing the camera to record in a format that allows RAW editing in popular editing software.

Blackmagic Pocket Cinema Camera has been designed as the perfect companion to editing software such as Final Cut Pro X and Avid Media Composer. Unlike other cameras, which require the use of custom video file formats, the Blackmagic Pocket Cinema Camera includes absolutely no custom video file formats, and every file type included is open standard.

The built in large LCD display makes focus easy, and allows playback of captured files. Blackmagic Pocket Cinema Camera includes a built in microphone, as well as external jack based mic/line level balanced audio connections. When reviewing recorded clips, audio can be played through the built in speaker and routed through the headphone port or micro HDMI output. The HDMI output includes all camera data such as timecode, transport control, shutter angle, color temperature setting and ASA information overlaid in attractive anti aliased fonts.

"This is an extremely exciting camera and its been amazing to work on. Our original Blackmagic Cinema Camera was small, but this new model is so much smaller than the original, we almost cannot believe it features very similar image quality," said Grant Petty, CEO, Blackmagic Design. "We think customers are going to really enjoy this new model and use it both personally and professionally. It’s going to allow shooting in situations that could never have been achieved at this quality level previously. It’s also going to be the camera that thousands of new up and coming cinematographers use as their first camera for their independent films. It’s going to be exciting!"

Blackmagic Pocket Cinema Camera Key Features:

• High resolution 1080HD Super 16mm sized sensor with superior handing of image detail.

• Super wide 13 stops of dynamic range allows capture of increased details for feature film look.

• Compatible with extremely high quality Micro Four Thirds lenses. Compatible with other mounts via common third party adapters such as PL mount and Super 16 cine lenses.

• Built in SD card allows long duration recording with easy to use media.

• Open file formats compatible with popular NLE software such as ProRes 422 (HQ) and lossless compressed CinemaDNG 12 bit RAW. No custom file formats.

• Features all standard connections, including mini jack mic/line audio in, micro HDMI output for monitoring with camera status graphic overlay, headphone mini jack, LANC remote control and standard DC 12 power connection.

• Built in LCD for camera settings via easy to use menus.

• Supports 1080HD resolution capture in 23.98, 24, 25, 29.97 and 30 fps.

• Compatible with DaVinci Resolve Lite color grading software.

Availability and Price
Blackmagic Pocket Cinema Camera will be available in July for approx. 755 EUR.

Press Photography
Product photos of the Blackmagic Pocket Cinema Camera, and all other Blackmagic Design products, are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, United Kingdom, Japan, Singapore, and Australia. For more information, please check www.blackmagicdesign.com.

Blackmagic Design Announces Blackmagic Production Camera 4K

PRESS RELEASE

April 9, 2013

Blackmagic Design announced Blackmagic Production Camera 4K, a new high resolution 4K digital film camera with an innovative large Super 35 size sensor with professional global shutter, combined with precision EF mount optics and high quality Apple ProRes 422 (HQ) file recording. Blackmagic Production Camera 4K will be demonstrated on the Blackmagic Design NAB 2013 booth at #SL218.

The latest high end televisions and video projectors support Ultra HD, which is four times the resolution of regular HD video. The Blackmagic Production Camera 4K shoots to high quality compressed CinemaDNG RAW and ProRes 422 (HQ) files in 4K, giving customers a complete solution to shoot the most amazing high resolution music videos, episodic television production, television commercials, sports, documentaries, news stories, interviews and feature films.



The new Blackmagic Production Camera 4K also supports the new 6G-SDI video connection out so it can be used on live video production. Blackmagic Production Camera 4K has been designed with portability and durability in mind. With standard connections and an internal battery packed inside a beautiful machined aluminum design, the Blackmagic Production Camera 4K will easily handle the rigors of location work. A high resolution LCD display shows settings such as shutter speed, color temperature, aperture and timecode in an easy to read status strip. The built in capacitive touchscreen offers direct access to menus with a touch of the finger and allows changing settings such as recording format, shutter angle and more. The touchscreen also allows users to enter important metadata that is compatible with popular video editing software including Final Cut Pro X.

With a large Super 35 size sensor, cinematographers get familiar framing and behavior from the lenses they already own. This camera sensor features a global shutter and its large size allows minimal crop factor so cinematographers get nice wide angle shots from their wide angle lenses. When working in HD customers can use the high resolution images to reframe and zoom into shots without any quality loss.

With the built in EF compatible lens mount there is a wide choice of optics to take advantage of the large Super 35 size sensor without cropping. Cinematographers get the choice of the world's most amazing optics from leading lens crafters like Canon, Zeiss and more, with full electronic control. The EF compatible lens mount means customers are not locked into a specific lens and even professional cinema lenses with EF mount with professional rails and follow focus accessories can be used.

The Blackmagic Production Camera 4K easily captures 4K in compressed CinemaDNG RAW and ProRes 422 (HQ) using the built in high speed SSD recorder. Once the shoot has wrapped, the disk can be connected to a computer for editing or color correction of the shots straight from the disk, which can be formatted in either HFS+ or ExFAT for Mac and Windows compatibility. In addition to the regular CinemaDNG RAW format, Blackmagic Design will also implement a QuickTime wrapper for the open standard CinemaDNG and companion codec, allowing the camera to record in a format that allows RAW editing in popular editing software.The wide dynamic range of the Super 35 sized sensor can be mapped into the quantizing range of the file so you can color grade shots to allow greater detail in highlights and shadows. When working fast, the customer can also record to regular Rec. 709 video files.

Blackmagic Production Camera 4K uses standard connections, so customers do not need to worry about sourcing custom cables. The camera features 6G-SDI output that can be down-converted to HD or used for amazing quality Ultra HD video. In addition, the device includes a built-in Thunderbolt port and UltraScope software for real time waveform monitoring. For audio you get 1/4” jack mic/line inputs plus 12V to 30V DC input, a 3.5mm headphone socket and LANC remote control. And with a built-in uncompressed audio recorder you can eliminate post audio synching altogether.

“Customers have been asking us to design a camera with global shutter and a large sensor. With the Blackmagic Production Camera 4K we have delivered that, plus the high resolution needed for the latest Ultra HD production work,” said Grant Petty, CEO, Blackmagic Design. “This is a very exciting camera and it produces amazing looking pictures that we are sure everyone will love. It’s going to allow Ultra HD programming to be simple and easy!”

Blackmagic Production Camera 4K Key Features

• Large high resolution 4K Super 35 mm sized sensor with superior handing of image detail.

• Professional global shutter for smooth pans and image motion.

• Wide 12 stops of dynamic range allows capture of increased details for feature film look.

• Compatible with extremely high quality EF mount lenses.

• Built in SSD recorder allows long duration recording onto solid state disks.

• Open file formats compatible with popular NLE software, such as Apple ProRes and compressed CinemaDNG 12 bit RAW. No custom file formats.

• Features all standard connections, including jack mic/line audio in, 6G-SDI output for monitoring with camera status graphic overlay, headphone mini jack, Thunderbolt, LANC remote control and standard DC 12 power connection.

• Built in touch screen LCD for camera settings and metadata entry compatible with popular video editing software including Final Cut Pro X.

• Supports Ultra HD and 1080HD resolution capture in 23.98, 24, 25, 29.97 and 30 fps.

• Includes UltraScope software for live scopes via the built in Thunderbolt connection.

• Includes DaVinci Resolve color grading software.
  

Availability and Price
Blackmagic Production Camera 4K will be available in July for approx. 3.035 EUR ex. VAT.

Press Photography
Product photos of the Blackmagic Production Camera 4K, and all other Blackmagic Design products, are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, United Kingdom, Japan, Singapore, and Australia. For more information, please check www.blackmagicdesign.com.

At the annual National Association of Broadcasters Show, Adobe Systems Incorporated will showcase new software and video technology that is transforming the way broadcasters, filmmakers and video professionals create and deliver high-quality productions across multiple screens. Highlights of the show include the first public demonstrations of the next generation of Adobe’s flagship video tools including Adobe Premiere Pro, Adobe After Effects, SpeedGrade, Adobe Audition, Adobe Prelude, Adobe Media Encoder and Adobe Story before their official release. More information about Adobe's next generation of creative tools will be unveiled at Adobe MAX, The Creativity Conference, May 4-8 in Los Angeles, CA.