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This software update adds support for the new Blackmagic URSA Broadcast, Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter.

What's new in Blackmagic Camera Setup 5.0

• New support for Blackmagic Camera Fiber Converter
• New support for Blackmagic Studio Fiber Converter

New features for URSA Broadcast

• Added support for DNxHD 220X and 145 codecs.
• Added support for 1080i recording in DNxHD.
• Added Rec 2020 Hybrid Log Gamma ouput via SDI.
• Added Rec 2020 PQ Gamma output via SDI.
• Added support for URSA Mini SSD Recorder.
• Added support for SDI tally over-ride.
• Added support for Canon EF-S IS USM lenses.
• Added metadata support for Extended Video in URSA Viewfinder.
• Extended B4 lens support with “Box” lenses.
• Fixed bug where Gain level is offset by -6dB with ATEM.
• Added SDI Camera Control v1.2 to URSA Broadcast manual.
• Added Fiber Converters to URSA Broadcast manual.

New software update for DaVinci Resolve Studio adds support for the new Blackmagic URSA Broadcast camera along with support for RAW files from Sony Venice/CineAltaV cameras, and RED SDK v7.0.6. In addition, DaVinci Resolve 14.3 Studio update also improves the quality of thumbnails in the media pool on retina displays, adds support for reading Panasonic VariCam metadata when importing footage, can export Sony color space and gamma metadata to MXF files, and addresses an issue with audio delivery. This update also improves reliability when saving files and features other general performance and stability improvements. Complete list of new features is here.

This software update lets ATEM 2 M/E Broadcast Studio 4K users upgrade their switcher to an ATEM 4 M/E Broadcast Studio 4K. In addition, this update also adds support for the ATEM 1 M/E Advanced Panel.

What's new in ATEM 7.3
Support for the new ATEM 1 M/E Advanced panel.
Special firmware update for the ATEM 2 M/E Broadcast Studio 4K switcher:
–Increases the number of M/Es to 4!
–Increases the number of keyers per M/E to 4!
–Also includes advanced chromakey for greatly improved keying.
–Additionally this switcher has a name change and will now be known as the ATEM 4 M/E Broadcast Studio 4K.

Press Release

Blackmagic Design announced the new ATEM 4 M/E Broadcast Studio 4K, the world’s most advanced high frame rate Ultra HD 2160p60 switcher with 20 inputs, 4 M/Es and a massive 16 next generation ATEM Advanced Chroma Keyers. In addition, the ATEM 4 M/E Broadcast Studio 4K features 2 Ultra HD multi viewers, full 2D DVE, built in SuperSource compositing engines with 4 picture in picture DVEs, full re-synchronization on each input and much more. The ATEM 4 M/E Broadcast Studio 4K is available now for only 5 075 EUR ex. VAT.

In addition, Blackmagic Design has also announced a free software upgrade that adds all of the same new features to the previous ATEM 2 M/E Broadcast Studio 4K model. That means customers using the ATEM 2 M/E Broadcast Studio 4K get twice as many mix effects rows and 16 new next generation ATEM Advanced Chroma Keyers added to their switcher, absolutely free.

The all new ATEM 4 M/E Broadcast Studio 4K lets customers create live, switched, high frame rate HD and Ultra HD programs at up to 60 frames per second. Featuring advanced 12G-SDI technology, customers can connect the latest 2160p60 cameras using a single, standard SDI cable. The multi rate 12G-SDI connections automatically switch to 6G-SDI, 3G-SDI and HD-SDI so the switcher is compatible with existing HD equipment. The ATEM 4 M/E Broadcast Studio 4K can be used to master programs in 2160p60 while simultaneously outputting them in HD with realtime down conversion. It’s a future proof switcher that lets broadcasters start building a library of amazing Ultra HD content, even if they need to continue broadcasting 1080HD today.

For keying and effects, the ATEM 4 M/E Broadcast Studio 4K gives customers a total of 16 new advanced keyers for more high end creative options than ever before. Customers get 4 new ATEM Advanced Chroma Keyers on each of the 4 mix effects rows. The new keyers feature adjustable on-screen controls for selecting and sampling a region of color, adjustment controls for foreground, background and edges, and chroma correction tools for spill and flare suppression. That means customers can pull clean keys for professional broadcast quality composites and massive multi layer effects.

The ATEM 4 M/E Broadcast Studio 4K works in both HD and Ultra HD. It is designed for action filled sporting events and live concerts where smooth, crystal clear, incredibly detailed, realistic looking video is important. When combined with the extra resolution, higher frame rate and bigger color space of Ultra HD, the ATEM 4 M/E Broadcast Studio 4K makes the fast paced action and incredible drama of live sports look far better than even the highest end, most expensive regular HD production switchers.

The new ATEM 4 M/E Broadcast Studio 4K has hundreds of advanced creative features for creating the highest quality live broadcast programs. There are 4 built in media players and a larger media pool with more memory for graphics and video clips. The ATEM 4 M/E Broadcast Studio 4K features 16 built in all new ATEM Advanced Chroma Keyers, dynamic transitions, a powerful DVE, SuperSource multi layering, power macros, audio mixing, camera control with color correction and much more.

In addition to advanced 12G-SDI technology, the ATEM 4 M/E Broadcast Studio 4K features the highest quality professional broadcast connections. Every input has automatic frame re-synchronization so customers can take any source, even if it’s not referenced, and make clean switches. There are also two balanced XLR audio inputs and outputs for connecting mixers and other pro audio gear. The ATEM 4 M/E Broadcast Studio 4K has both an Ultra HD program output as well as a down converted HD program output, along with 6 auxiliary outputs for sending clean feeds out to giant screens, projectors, recorders or monitors. Dual Ultra HD multi view outputs let customers monitor program, preview and cameras on large screen Ultra HD displays.

The ATEM 4 M/E Broadcast Studio 4K can be controlled using ATEM’s professional hardware control panels or using the ATEM Software Control on a Mac or Windows computer connected via ethernet.

The ATEM hardware control panels are the fastest, most professional way to control a switcher during live production. The ATEM 2 M/E Broadcast Panel features high quality buttons, knobs, faders and joysticks that are built to withstand the demanding needs of live production work. The new ATEM 1 M/E Advanced Panel, which was also announced today, is a compact professional panel featuring the latest broadcast technology, an updated layout designed to help customers work quickly on live productions, and built in LCD screens that display context sensitive tools and settings when you need them. The ATEM 1 M/E Advanced Panel fits in a standard equipment rack and is perfect for tight locations like outside broadcast trucks.

The ATEM software control panel, which is included free, provides a full visual control panel with parameter palettes for making quick adjustments, loading graphics, mixing audio and more. Customers can even combine multiple hardware and software control panels on the same show so different people can be working on switching, graphics, audio, camera control and more, all at the same time.



ATEM 4 M/E Broadcast Studio 4K Key Features
Full 4 M/E switcher with each M/E featuring 4 ATEM Advanced Chroma Keyers.
Switcher can be switched between HD and Ultra HD video formats instantly.
2 x built in Ultra HD multi view allows 16 sources, 2 x previews and program.
20 x inputs for a total of 20 x 12G-SDI. All inputs feature auto re‑sync.
1 x down converted program output.
Built in media pool graphics storage for 64 RGBA Ultra HD stills and 360 frames of Ultra HD clips.
Built in full motion 2D DVE with position, scale, resize and rotate features.
Built in SuperSource allows 4 DVEs and 4 keys layered as an independent video source.
4 media players allow graphics to be connected to keyers for fill and key layering.
Transitions include cut, mix, dip to color, SMPTE wipes and more.
16 new ATEM Advanced Chroma Keyers (4 per M/E row).
2 downstream keyers.
6 auxiliary outputs include front panel aux switching buttons and LCD screen for viewing.
Built in audio mixer live mixes embedded audio from all video inputs and independent audio inputs.
Balanced XLR stereo analog audio inputs and 1 HiFi RCA stereo audio input into built in audio mixer.
Audio mixer main and preview outputs onto balanced XLR audio outputs and on all video outputs.
Internal sources include black, color bars, two color generators and media pool.
Ethernet connection for control panel connection. Mac and Windows control panel software included.
Compatible with all ATEM Broadcast Panel control panels when hardware panel is required.
Black Burst and HD-Tri-Sync genlock input for integration into large systems.
Compact 2 rack unit size is perfect for when a lot of power is required in a portable solution.

Availability and Price
The ATEM 4 M/E Broadcast Studio 4K is available now for 5 075 EUR ex. VAT.

Press Photography
Product photos of all Blackmagic Design products, are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

Blackmagic Design announced the all new Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter which convert standard television industry connections for video, audio, power, talkback, tally and more into a single SMPTE hybrid electrical and fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single cable. The Blackmagic Camera Fiber Converter is available for 2 545 EUR ex. VAT and the Blackmagic Studio Fiber Converter is also available for 2 545 EUR ex. VAT. Both fiber converters are available now.

Whether it’s in a studio or out at a large sporting venue, customers working in live production often need to place their cameras both far away and close to the action. SDI connections are common, but they have limited range. Plus, when working in large theaters or massive stadiums, it can also be hard to find locations with power. Running multiple cables for power, talkback, tally, video and audio feeds normally requires expensive interfaces and extenders. This can make set up incredibly complex and increases the chances of a technical error.

The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter solve this problem by converting all essential connections and full camera power into a single convenient SMPTE hybrid electrical and fiber optic cable that can be run long distances up to 2 km away. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio.

The new Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter transform your URSA Broadcast and URSA Mini cameras into a complete studio solution. One converter is located on the camera and one is located far away back in the studio or outside broadcast truck. It’s the perfect solution for news, magazine style talk shows, game shows, multi camera sitcoms and even massive outdoor sporting events. Best of all, it costs tens of thousands less than other broadcast camera solutions. This means web producers, professional AV customers, houses of worship and educators can now afford to use the same high end broadcast technology that professional broadcasters use.

The cable used between the camera and studio converters is a standard SMPTE 311M hybrid electrical and fiber optic cable with a standard SMPTE 304 connector on each end. The cable features a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use.

The Blackmagic Studio Fiber Converter provides an industry standard 200 volts of power to the camera converter for both the camera and its accessories. The converters at each end have dedicated micro controllers that continuously monitor power and will instantly cut it if a leak is detected. High voltages to the SMPTE cable are not enabled until the converters ensure that all safety checks have been completed. This means Blackmagic Studio Fiber Converter and Blackmagic Camera Fiber Converter are compliant with SMPTE fiber standards, making them incredibly safe to operate. At the camera end, power is stepped down and made available to the camera and accessories via standard 12 volt connections.

The Blackmagic Camera Fiber Converter attaches to the back of URSA Mini and URSA Broadcast cameras and converts all of the video and audio connections, along with camera control, PTZ, talkback, tally and power into the SMPTE hybrid electrical and fiber optic cable.

Because studio cameras are operated from the rear camera position, the camera fiber converter also adds standard studio camera controls to the back of the camera. Customers get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter even includes a V mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder.

The Blackmagic Studio Fiber Converter, which is located at the other end of the camera chain back in the studio or outside broadcast truck, converts all of the signals from the camera back into standard television industry connections that can then be connected to camera control units, live production switchers, audio mixers and more. Both converters feature familiar broadcast controls and are designed to work exactly the way experienced camera operators expect.

The converters feature standard television industry connections, including the latest 12G-SDI, for working with all HD and Ultra HD formats up to 2160p60. Customers get an Ultra HD camera feed, 3 independent return HD feeds, full remote camera control, PTZ, and ethernet. For talkback, the converters feature two dual channel intercoms with 5 pin XLR connections for professional talkback headsets. In addition, there is a redundant back up intercom that can be used to set up or troubleshoot if the fiber link is down. The camera converter also includes a 10 pin connection for tracker talkback, which provides an additional talkback feed for a crane operator when both headsets are already in use, and a tally output.

Communication between the two converters is via standard 10G Ethernet. That means all video and return feeds are IP video based. The converters use high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to IP. Both converters are designed to be super fast and have extremely low subframe latency, providing the kind of incredible realtime performance customers need when working on live productions.

The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast. It features full size standard television industry connections with dust caps to protect them, along with an integrated V-Lock mount on top for adding a Blackmagic Studio Viewfinder. The Blackmagic Studio Fiber Converter features a rack mountable design with a front panel that features a 5 inch LCD and an optical fiber connector, so customers can conveniently plug remote cameras in and instantly see the feed.

To complete the live production solution, Blackmagic Design today also announced a new ATEM Camera Control Panel, which is a compact remote camera control unit designed to control up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. The ATEM Camera Control Panel works with any ATEM live production switcher and features a large LCD screen, professional joystick, and control buttons that allow a single operator to monitor and adjust a wide range of technical parameters such as the black level, gain, color balance, shutter speed and more. This leaves camera operators free to focus on the creative aspects of live production such as framing and composition. The ATEM Camera Control Panel will be available later this year.



Availability and Price
The Blackmagic Camera Fiber Converter is available for 2 545 EUR ex. VAT and the Blackmagic Studio Fiber Converter is also available for 2 545 EUR ex. VAT. Both products are available now.

Press Photography
Product photos of all Blackmagic Design products, are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.