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Panasonic introduced a new large-aperture ultra-wide fixed focal length lens, the LUMIX S 18mm F1.8 (S-S18), as the fifth addition to the series of F1.8 large-aperture lenses based on the L-Mount system standard. The large-aperture LUMIX S 18mm F1.8 (S-S18) boasts high optical performance passing the quality standard of professional use despite its compact size. Ultra-wide 18mm perspective provides versatile ways of use at different shooting distances. In a long shot, it captures more foreground or background elements to deliver a dynamic impression into the image. It is possible to add artistic expression to the foreground subject using rich perspective by shooting from a short distance.

Wireless video transmission specialists, Hollyland, have launched a pair of new products: a receiver/transmitter kit Mars 4K with support for up to 4Kp30 and a 5.5" LCD touchscreen monitor Mars M1 combining both transmitter and receiver functions compatible with the Mars 400S Pro/Mars 4K series. In stock!

Libec announced three new broadcast products, the SVF-7Pro Full HD 7"Studio Viewfinder, the ZD-1 Zoom Demand for portable lenses, and the FD-1 Focus Demand for portable lenses. These Japan-made products for studio camera systems will be a cost-effective solution for users looking for advanced and high-quality studio accessories.

This software update adds support for the new HyperDeck Extreme 4K HDR. In addition, it adds support for the H.264 and DNx recording to HyperDeck Extreme 4K HDR and HyperDeck Extreme 8K HDR models, plus support for recording up to 64 channels of PCM or AAC audio, digital slate for clip metadata, HDR override, LCD calibration and support for Polish and Ukrainian translations.

Blackmagic Design today announced 4 new models of Ultimatte 12 real time compositing processors that are all designed for creating the next generation of broadcast graphics. Also announced was a new Ultimatte Software Control app for Mac and Windows that’s available for download free of charge. This software lets you control all Ultimatte 12 models without the additional cost of a hardware control panel.

Ultimatte 12 models will be demonstrated on the Blackmagic Design IBC 2022 stand 7.C49.

The new Ultimatte 12 models are designed at lower cost while retaining the same high quality processing for incredible edge handling, greater color separation, amazing color fidelity and better spill suppression. There are 4 new models, Ultimatte 12 HD, Ultimatte 12 4K and a massive Ultimatte 12 8K model. This allows customers to get an Ultimatte 12 for the television standard they are using.

In addition to these 3 models, there is a lower cost Ultimatte 12 HD Mini model with HDMI connections priced at only US$495. Ultimatte 12 HD Mini was specifically designed to let ATEM Mini customers get the benefits of broadcast quality keying to build innovative fixed camera virtual sets. All models of Ultimatte 12 include built in frame stores so you can key using stills for backgrounds, eliminating the cost of external equipment. This means all compositing can be done in the Ultimatte itself!

Even at these new lower prices, all Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal color space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colors in each area. This means customers get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colors or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity.

When it comes to live production, customers need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so customers get great keys without having to do a lot of extra work. One touch keying is dramatically faster and helps customers accurately pull a key with minimum effort. That leaves customers free to focus on the program, while Ultimatte 12 takes care of the rest.

The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means customers don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colors, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections.

The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so customers can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives customers high frame rate Ultra HD via a single BNC connection that also plugs into all of their regular HD equipment.

The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Now add a camera number in the Ultimatte utility to get control of the camera color corrector, tally and even remote record trigger.

Plus all Ultimatte 12 models now include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so customers will quickly learn to move between settings instinctively as customers build their composition.