News

Press Release

IBC 2014, Amsterdam, Netherlands - September 12, 2014 - Blackmagic Design today announced SmartView 4K, the world’s first full resolution Ultra HD broadcast monitor with 12G-SDI inputs for compatibility with virtually all SD, HD and Ultra HD formats up to 2160p60 for only US$1,995.

SmartView 4K will be demonstrated on the Blackmagic Design IBC 2014 booth in Hall 7, Stand H20.

SmartView 4K is a professional Ultra HD broadcast monitor with a native resolution of 3840 x 2160, an amazingly bright LCD screen with a wide viewing angle and advanced broadcast features such as 3D LUTs, adjustable on screen markers, H/V delay, blue only and more. SmartView 4K features multi rate 12G-SDI inputs that automatically switch between SD, HD and Ultra HD formats up to 2160p60. With 12G-SDI, SmartView 4K is an incredibly future proof design with unprecedented full resolution Ultra HD high frame rate support all built into the attractive thin rack mount design.

When monitoring SD, 720 HD or 1080 HD SDI sources, the built in Teranex processor uses advanced patented and proprietary PixelMotion™ algorithms to automatically de-interlace and scale video to the native Ultra HD resolution of the LCD. This means customers get visually transparent, artifact free scaling for the best quality possible and a fluid smooth viewing experience.

The 6 rack unit size machined metal design of SmartView 4K features a built in control panel for access to advanced broadcast features such as built in 3D LUTs, H/V delay, blue only for checking hue and image noise and customizable frame markers. The machined metal design also has a metal internal chassis allowing VESA mounting points on the rear so the monitor can be rack mounted, or mounted on articulated arms similar to computer monitors. This allows installation in news rooms, walls and other non rack mount locations.

With the advent of SDI video in the mid 1990’s some features on analog broadcast monitors were lost. One of these feature was the H/V delay that allowed broadcast engineers to view data and signals in the horizontal and vertical blanking. With SmartView 4K, customers get these features retuned and with the H/V delay feature, customers can shift the image to monitor data and information in the SDI blanking, such as embedded audio data, subtitles, VITC and more.

Blackmagic SmartView 4K includes both universal AC power as well as 12V DC power inputs so it can be used with a battery or plugged into standard AC mains power, making it the perfect professional monitor for any broadcast facility, mobile broadcast truck, or even on location and in fly away kits. There is also a SMPTE compatible optical fiber SDI socket for allowing customers to optionally add an optical fiber SDI module if they want to run optical fiber direct to their monitor without converters. Optional optical fiber is important with the high speeds of 12G-SDI where customers might feel more comfortable about the reliability of optical fiber.

Blackmagic SmartView 4K can be controlled from the front panel or remotely via rear mounted Ethernet connection with loop output using the included Mac and Windows software. It also supports VESA mounting so customers can install it on articulated monitor arms, on walls or in equipment racks. When used on set, the dual 3D LUTs can be selected on and off with the push of a button, and the DC power input allows a V-Lock battery pack to be mounted on the rear of the monitor and plugged into the DC input for long running time where no AC power is available.

“SmartView 4K is the most versatile, highest resolution professional monitor we’ve ever created,” said Grant Petty, CEO, Blackmagic Design. “Its future proof 12G-SDI based design helps customers get ready for Ultra HD workflows while maintaining compatibility with and delivering exceptional quality for current SD and HD sources. Plus, it’s flexible enough to be used on set or in a the largest broadcast studio. It’s all very exciting!”

SmartView 4K Key Features

– Large, bright 15.6 inch native Ultra HD resolution LCD rack mount monitor.

– Multi rate dual 12G-SDI connections, auto switching SD, HD and up to 2160p60 Ultra HD formats.

– Built in Teranex processor automatically de-interlaces and scales SD and HD video up to Ultra HD resolution for improved quality on lower resolution video inputs.

– Advanced broadcast features such as 3D LUTs, adjustable on screen markers, H/V delay and blue only.

– Optical fiber SDI module socket so customers can add a SMPTE compatible optical fiber module.

– Control via front panel or remotely via Ethernet using included Mac and Windows software control panel allowing remote control and adjustments from a single location.

– Both AC and 12V DV power inputs allowing mains and battery operation.

– Rack mount and VESA mount points allowing rack or non rack installation.

Availability and Price

SmartView 4K will be available in December 2014 for US$1,995 from Blackmagic Design resellers worldwide.

Press Photography

Product photos of the SmartView 4K, and all other Blackmagic Design products, are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

IBC 2014, Amsterdam, Netherlands - September 12, 2014 -Blackmagic Design today announced Blackmagic MultiView 16, the world’s first native Ultra HD multi viewer that allows customers to use the new large screen Ultra HD televisions and Ultra HD monitors for displaying images at twice the resolution of an HD multi view. With full frame re-sync in each input Blackmagic MultiView 16 supports the display of up to 16 mixed SD, HD and Ultra HD video sources all at the same time. MultiView 16 will be priced at only US$1,495.

Blackmagic MultiView 16 will be demonstrated on the Blackmagic Design IBC 2014 booth in Hall 7, Stand H20.

Blackmagic MultiView 16 outputs both 1080p HD and native Ultra HD over SDI and HDMI monitors, making it possible to use professional broadcast monitors or the new massive Ultra HD consumer televisions for incredibly sharp, high resolution multi view monitoring that is twice the resolution of traditional HD multi viewers. Customers can choose layouts from 2x2 for 4 sources, 3x3 for 9 sources and 4x4 for 16 sources.

Blackmagic MultiView 16 includes sixteen multi rate 6G-SDI inputs with separate loop thru that are compatible with existing SD, HD and Ultra HD equipment. All 16 inputs feature automatic frame re-synchronization, so each view is like an independent video monitor, regardless of the input standard. That means customers can mix and match up to 16 different video standards all at the same time!

Blackmagic MultiView 16 is the perfect solution when there are lots of video feeds to monitor and limited space. Customers no longer have to connect multiple monitors, dozens of cables or run extra power. Simply plug in cameras, decks, switchers, routers and feeds into the SDI connections on Blackmagic MultiView 16 and they can see everything with amazing clarity and detail on a single Ultra HD display.

Because it works natively in Ultra HD, customers get four times the number of pixels in each view so the video looks sharper and clearer than ever before. Blackmagic MultiView 16 delivers an incredible 4 full resolution 1920 x 1080 HD video sources when running in 2x2 layout, or 16 half resolution 1080 HD videos sources at an amazing 960 x 540 resolution when running in 4x4 layout!

Blackmagic MultiView 16 is easy to use and includes an elegant machined metal front panel with dedicated buttons for quickly selecting any source. Video can be routed to any position on the grid at the push of a button or with the spin knob control, so it works just like a video router. MultiView 16 can also be controlled remotely over a network using the included Mac and Windows software, as well as from Videohub hardware control panels installed throughout a facility. There is also an SDK for custom broadcast integrations.

“Using MultiView 16 is like having 16 independent broadcast monitors on a single display,” said Grant Petty, CEO, Blackmagic Design. “Facilities that don’t even care about working in Ultra HD can still get a huge benefit as when using an Ultra HD monitor connected to it, they get twice the resolution of regular 1080 HD inputs for twice the image clarity. That’s really critical when monitoring camera feeds where you want to check focus. Being able to view up to 16 mixed format sources on a single screen all at the same time, in such amazing quality and with incredible detail is mind blowing!”

Blackmagic MultiView 16 Key Features

– Worlds first multi view to allow the use of Ultra HD television for twice the image sharpness.

– Display up to 16 SDI sources on a single HD or Ultra HD display via SDI or HDMI.

– 16 multi rate 6G-SDI inputs with loop thru, compatible with all SD, HD and Ultra HD equipment.

– Automatic frame re-synchronization allows simultaneous display of mixed SD, HD and Ultra HD formats.

– Choose from solo, 2x2, 3x3 or 4x4 grid views.

– Supported output resolutions: 1920 x 1080 and 3840 x 2160.

– Easy to use front panel controls with dedicated source buttons, LCD screen and spin knob control.

– Durable elegant machined metal portable 1RU design with professional connections for 24/7 reliability.

– Built in 90V - 240V AC international power supply for use anywhere in the world.

– Remote control via Ethernet using the included Mac and Windows software.

– Remote control via Ethernet using Blackmagic Videohub hardware control panels.

– SDK available for custom integrations.

Availability and Price

MultiView 16 will be available in November 2014 for US$1,495 from Blackmagic Design resellers worldwide.

Press Photography

Product photos of the Blackmagic MultiView 16, and all other Blackmagic Design products, are available at www.blackmagicdesign.com.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

IBC 2014, Amsterdam, Netherlands - September 12, 2014 - Blackmagic Design today announced DaVinci Resolve 11.1, a major new update based on customer feedback that includes dozens of features and improvements that professional editors and colorists have been asking for. DaVinci Resolve 11.1 is available for free download now for all existing DaVinci Resolve customers.

DaVinci Resolve 11.1 will be demonstrated on the Blackmagic Design IBC 2014 booth in Hall 7, Stand H20.

Editing enhancements in the new DaVinci Resolve 11.1 are designed to help editors work even faster than before. Resolve 11.1 includes improved asymmetric trimming, a new Swap Edit command, the ability to trim gaps in the timeline, editable in/out points in the source viewer, graphical fade sliders for video opacity, action and title safe overlays, independent track heights, a full screen timeline option, the ability to add transitions to multiple clips at the same time, and more.

DaVinci Resolve 11.1 also features dramatically improved integration with Final Cut Pro X that allows colorists to spend more time grading and finishing projects, and less time recreating elements from editorial. There is improved support for Multicam clips, Synchronized clips, and mixed frame rate Compound clips. Speed changes with Bezier curves are now imported from Final Cut Pro X, along with settings for frame blending and optical flow retiming. In addition, Compound clips can be broken apart and renamed in the Resolve timeline.

Colorists get support for object tracking and stabilization of compound clips, second layer input support for OpenFX plugins, the ability to pick colors in the viewer for OFX plugins, and new group menu options to load, delete and rename groups. DaVinci Resolve 11.1 also includes support for visually lossless compressed DNG RAW clips, Panasonic Varicam vRAW and AVC-I, improved color decoding for Phantom CINE RAW files, new Phantom Cine Log gamma selection in the camera raw settings, VFX I/O LUTs for Gamma 2.2 and Gamma 2.4, and more. Linux customers also get OpenCL support for AMD GPUs.

DaVinci Resolve 11.1 adds new support for Dolby Vision image processing. Customers will be able to work with 40x more brightness than a conventional television, a vastly improved, fuller color palette, and up to 1,000 times more contrast to reveal depth and detail that makes images look astonishingly real.

“DaVinci Resolve 11 was a huge release for us and we have been surprised by the incredible rate of upgrades,” said Grant Petty, CEO, Blackmagic Design. “It has been the fastest downloaded product update we have ever had. We’re committed to the community and are continuing to make Resolve even better. Feedback has been overwhelmingly positive, and has encouraged us to work even harder to add as many customer feature requests as we can to the 11.1 update.”

DaVinci Resolve 11.1 Key Features

– Editable in and out points in the source viewer.

– Graphical fade sliders for video opacity.

– Action and title safe overlays in the edit page.

– Improved asymmetric trimming.

– A new Swap Edit command.

– The ability to trim gaps in the timeline.

– A full screen timeline option.

– Improved Final Cut Pro X XML import and export.

– Improved FCP X XML import and export.

– Trim support for Quicktime and MXF clips.

– Native mixed frame rate support for compound clips.

– Allow transitions to be added to multiple selected clips via Cmd+T.

– Find Source Viewer clip in Media Pool via Option+F.

– Second layer input for OFX plugins.

– OpenCL support for Linux to support AMD GPUs.

Availability and Price

DaVinci Resolve 11.1 is available now as a public beta from the Blackmagic Design web site and will ship as a free update for all current DaVinci Resolve customers by the end of September, 2014.

Press Photography

Product photos of the DaVinci Resolve 11.1, and all other Blackmagic Design products, are available at www.blackmagicdesign.com.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

IBC 2014, Amsterdam, The Netherlands - September 12, 2014 - Blackmagic Design today announced the immediate availability of two new cinema cameras, the Blackmagic Production Camera 4K PL and Blackmagic Cinema Camera PL. Both cameras now include PL mount models for using professional cinema lenses or even vintage cinema lenses and are now available from 1815 EUR.

Blackmagic Production Camera 4K PL and Blackmagic Cinema Camera PL will be demonstrated on the Blackmagic Design IBC 2014 booth in Hall 7, Stand H20.

The new PL lens mount options for the classic Blackmagic Cinema Camera design now provides customers with an extremely small and extremely strong design. The strength comes from the chassis which is machined out of a solid block of aluminum. With the combination of the PL lens mount, the whole camera design has enough strength to hold an extremely heavy PL mount lens. This means cinematographers now have a professional PL mount digital film camera that’s so small, the camera body is only a little larger than the lens mount itself. Customers then get a design that can fit into the tightest locations while still allowing decades of classic professional film lenses to be used.

With these 2 new PL mount models, Blackmagic Design customers can now choose from 5 separate variations of this small, tough design. With a combination of 2 different sensor types as well as 3 different lens mounts, customers can now simply select the features they need based on the work they do.

The Blackmagic Production Camera 4K PL gives you a high resolution Super 35mm size sensor with global shutter and a more creative depth of field. Customers get incredible Ultra HD images with 12 stops of dynamic range and a large sensor with minimal crop factor so they can capture amazing wide angle, feature film quality shots. When working in HD, customers can use the high resolution images to reframe and zoom into shots without any quality loss.

The Blackmagic Cinema Camera PL has a 2.5K sensor with a super wide 13 stops of dynamic range that delivers truly cinematic quality images. Both cameras have dramatically wider dynamic range than traditional video cameras that preserves more detail in the blacks and whites of an image. For example, customers can shoot indoors with the correct exposure and still get full detail through windows outside. Every detail captured by the cameras’ sensors is preserved in the RAW files and can be edited and grade natively using the included DaVinci Resolve software for the highest possible quality output!

Both cameras capture CinemaDNG RAW and ProRes files using the built in high speed SSD recorder. Once the shot has wrapped, the disk can be connected to a computer for editing or color correcting straight from the disk using DaVinci Resolve, Final Cut Pro X, Media Composer, or Premiere Pro CC. Working with CinemaDNG RAW preserves the wide dynamic range of the files, allowing customers to open them directly in DaVinci Resolve 11 for editing and grading at the highest quality. That means the final output from DaVinci Resolve is literally a first generation render from the camera original RAW files!

The Blackmagic Production Camera 4K PL and Cinema Camera PL have been designed with portability and durability in mind. They include standard connections so customers do not need to hunt for custom cables, an internal battery, a high resolution 5” LCD touchscreen viewfinder that can be used for entering metadata and that shows settings such as shutter speed, color temperature, timecode and more. Both cameras feature professional SDI connections, built-in Thunderbolt, 1/4” audio jacks for mic/line inputs, 12V to 30V DC input, a 3.5mm headphone socket and LANC for remote control. Blackmagic Cinema Cameras are true digital film cameras that you can hold in your hand, but with the strength to be rigged on cranes, used on Steadycams, in crash cars and more.

“Since the launch of the first Blackmagic Cinema Camera, customers have been asking us for a solution that works with PL cinema lenses. What people don’t know is that when we were originally designing the Cinema Camera, we were designing it as PL mount. But we quickly realized that allowing it to work with photographic lenses was important, so we changed to the EF lens mount for Canon lens compatibility. But you can see from the design of the solid metal chassis, that the camera was way over engineered for the EF lens mount. Now the PL lens mount is completed it’s easy to see what a great combination this strong chassis and the PL mount are. It’s the perfect balance and it’s so strong!” said Grant Petty, CEO, Blackmagic Design. “What’s also exciting, is the PL mount lets cinematographers add classic PL mount lenses. That means if you want to shoot something from the 1980s, then you can just choose the lens they used in the 1980’s and shoot with it. There are so many different kinds of classic cinema lenses out there with all types of glass, materials and coatings that the looks are endless. All those can now be used on these new cameras!”

Blackmagic Production Camera 4K Key Features

– Production Camera 4K PL features a large, high resolution 4K Super 35mm sized sensor with global shutter with 12 stops of dynamic range.

– Cinema Camera PL features a large, high resolution 2.5K sized sensor with 13 stops of dynamic range.

– Compatible with extremely high quality PL cinema lenses.

– Built in SSD recorder allows long duration recording onto solid state disks.

– CinemaDNG RAW and ProRes open file formats compatible with DaVinci Resolve, Final Cut Pro X, Media Composer and Premiere Pro CC. No custom file formats.

– Blackmagic Cinema Camera also records in DNxHD.

– Features all standard connections, including jack mic/line audio in, headphone mini jack, Thunderbolt, LANC remote control and standard 12V DC power connection. Blackmagic Cinema Camera supports 3G-SDI output for monitoring with camera status graphic overlay, and Blackmagic Production Camera.

– Built in touch screen LCD for camera settings and metadata entry compatible with popular video editing software including DaVinci Resolve 11 and Final Cut Pro X.

– Blackmagic Production Camera 4K supports 1080HD and Ultra HD, and Blackmagic Cinema Camera supports 1080HD capture, both at 23.98, 24, 25, 29.97 and 30fps.

– Mounting points on top and bottom for connecting tripods, accessories and building custom rigs using industry standard equipment.

– Includes UltraScope software for live scopes via the built in Thunderbolt connection.

– Includes the full version of DaVinci Resolve 11 editing and color grading software.

Availability and Price

Blackmagic Production Camera 4K PL is available now for 2359 EUR and Blackmagic Cinema Camera PL is available now for 1815 EUR.

Press Photography

Product photos of the Blackmagic Production Camera 4K PL, Blackmagic Cinema Camera PL and all other Blackmagic Design products, are available at www.blackmagicdesign.com.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

IBC 2014, Amsterdam, Netherlands - September 12, 2014 - Blackmagic Design today announced its acquisition of eyeon Software, Inc., a leading developer of high end digital compositing, visual effects and motion graphics software for the feature film, commercial, television and broadcast industries. eyeon, headquartered in Toronto, Canada, is now a wholly owned subsidiary of Blackmagic Design.

eyeon’s Fusion 7 will be demonstrated on the Blackmagic Design IBC 2014 booth in Hall 7, Stand H20.

Fusion 7 is one of Hollywood’s leading visual effects compositing and motion graphics tools and has been used on thousands of feature film and television projects. Most recently, Fusion 7 has been used on feature films like Maleficent, Edge of Tomorrow, Sin City: A Dame to Kill For, The Amazing Spiderman 2, Captain America, Gravity and more.

Fusion 7 combines the best in motion graphics and high end visual effects compositing into a single application. In addition to its advanced compositing tools, Fusion 7 also includes comprehensive paint, rotoscope, keying, layering and titling tools, along with an amazing particle generator system. It can import geometry from other applications as well as create its own elements, like text and particles, from scratch. Elements can be composited together and quickly output using Fusion’s GPU accelerated render engine. Multiple renders can be combined in one project to render different aspects of the same scene. Fusion 7 goes beyond just compositing layers and has a full set of creation tools for building objects and scene elements in a 3D system that can handle millions of polygons with complex shading.

“We’re really excited about the acquisition of eyeon,” said Grant Petty, Blackmagic Design CEO. “Fusion compositing, 3D and motion graphics software has been used on some of Hollywood’s biggest visual effects blockbusters. When used together with DaVinci Resolve for editing and grading, Fusion also gives customers the world’s most advanced tools for 3D compositing, visual effects, motion graphics design and more!”

“Blackmagic Design is the most progressive company in professional post production today,” said Steve Roberts, CEO and founder of eyeon. “With their focus on developing the best solutions and a global network of offices, Blackmagic gives customers the products and services they deserve. The acquisition of eyeon will provide greater development and support of Fusion and Generation, where customers will now have more dynamic, comprehensive, and faster solutions for their creative needs.”

“Fusion 7’s great 3D improvements have added to our toolkit, giving us options that greatly expand our ability to quickly put together shots and make final adjustments without the need to go back into a 3D app for changes,” said David Stinnett, VFX Supervisor, Blur Studios, Thor: The Dark World and Amazing Spiderman 2. “Fusion 7 expands our ability to stay flexible for whatever the job demands.”

“The great thing about using Fusion for motion graphics is that you have an unlimited number of ways to create and design shots so you don’t have to leave the package to get the job done,” said Dunn Lewis, Motion Graphics and VFX artist. “Fusion can handle it all. With its full true 3D compositing environment, motion graphic tools, Spline editor for precise animation curves, Timeline for timing effects and Node based system for compositing, you can overcome any challenge.”

eyeon will continue to support its customers and expand its sales channels with the added strength of the Blackmagic Design organization. eyeon will also continue developing solutions for the VFX and post production industries, including its flagship application, Fusion.

About eyeon Software

eyeon Software develops Fusion™, an award-winning compositing application that has been used on thousands of feature film and broadcast projects for over 25 years. eyeon artists have contributed significant work to recent box office successes, such as Maleficent, Edge of Tomorrow, Hercules, Gravity, Noah, White House Down, The Hunger Games (1, 2, & 3), The Wizard of Oz 3D, Orphan Black, Star Wars In 3D, The Amazing Spider-Man (1 & 2), Journey 2: The Mysterious Island, Prometheus, Immortals, Game of Thrones, Anonymous, Captain America, Priest, Sucker Punch, Unknown, The Social Network, Gnomeo & Juliet, Chronicles of Narnia, Prince of Persia, Avatar, 2012, Alice in Wonderland, New Moon, G.I. Joe, X-Men Origins, Twilight, Iron Man, Journey To The Center Of The Earth 3D, 9, 300, Spiderman, Harry Potter and the Order of the Phoenix, Happy Feet, Sin City (1 & 2), and many more.

In addition to Fusion, eyeon develops Generation® 4K, a breakthrough 4K playback system, Generation® AM, the asset management front end desktop for visual effects, Rotation®, an advanced rotoscoping system, Dimension®, a suite of tools designed for stereoscopic and image improvement challenges, Connection®, a bridge between Avid® and eyeon products, and now EPP®, a host of scripts and workflow solutions.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.