This beta update adds the ability to edit subclips directly from the timeline, import audio only AAF timelines, and adds new APIs for Python and LUA scripting. In addition, DaVinci Resolve 15 Studio Public Beta 3 adds support for DCP compliant composition naming as well as support for decoding DCP packages with stereoscopic 3D or 96kHz audio content. This update also improves the responsiveness of OpenFX and ResolveFX on-screen controls, and features dozens of general performance and stability improvements.
Pixologic collaborator Michael Pavlovich has just released an informative YouTube playlist of walkthroughs for the latest features in ZBrush 2018! Head over to YouTube to follow his video series!
This software update improves the color and contrast of the LCD screen on the Studio Fiber Converter and provides greater talkback functionality with 3rd party intercom systems. It also improves the response time for SDI camera control via 12G-SDI when used with Blackmagic Studio and Camera Fiber Converters, and includes general performance and stability improvements. When updating to Blackmagic Camera 5.0.2, customers will need to power the Camera Fiber Converter from the camera using the URSA 12V power supply during the update. Please refer to URSA Broadcast manual for more information.
The new Continuum VR Unit from Boris FX delivers five useful and fast filters for professional reframing, editing, and finishing 360° video. The recently released 360° toolset fills a gap in the rapidly growing 360/VR immersive filmmaking industry which requires specialized tools to process spherical video formats. From now through May 31, 2018, Boris FX is offering the Continuum VR Unit as a free giveaway (a 199 USD value!). Popular host application support includes Adobe After Effects CC and Premiere Pro CC, Avid Media Composer, Apple FCP X, and OFX hosts such as Blackmagic Design's DaVinci Resolve, VEGAS Pro, and HitFilm. Request your free license here.
France Télévisions is set to install Panasonic UHD cameras in a two-year upgrade of its digital studios and OB Vans throughout France. By the end of the project, the broadcaster will have taken delivery of more than 100 Panasonic AK-UC3000 studio cameras. The French state-owned public service broadcaster, one of the largest in Europe, selected Panasonic following a competitive tender which included extensive trials of UHD studio cameras.
“The competition to meet France Télévisions advanced specifications was intense,” said Andre Meterian, Director of Panasonic Broadcast & ProAV. “They chose Panasonic based on the quality of our cameras, which following a thorough review were judged to provide the greatest overall value for money.
“We have been working with them over the last couple of years to install nearly 300 remote cameras within their regional stations, so for them to show additional confidence in our 4K studio camera lineup is very satisfying. Key to the decision was that our solution allowed France Télévisions to migrate to 4K directly, as opposed to an upgradable HD-based solution.”
The framework also includes pricing for the following Panasonic studio system products, the 4K multi-purpose AK-UB300 box camera, the AK-UCU500 and AK-UCU600 Camera Control Units, the AK-HRP1000 Remote Operation Panel, the AK-HVF100 colour viewfinder, and AK-HBU500 camera build up unit.
It’s anticipated that the cameras system will see use within large events and sports, which are increasingly being shot in UHD and HDR. Up to 16 cameras can be connected simultaneously to a single OB van, including the flagship 4K studio camera, the UC3000. The first deliveries are expected within the next two months.