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This software update installs the Blackmagic Camera 7.8 public beta which adds live streaming to Blackmagic URSA Broadcast G2 via RTMP. In addition, when used with ATEM Streaming Bridge, this update includes support for camera control, tally and talkback back to URSA Broadcast, as well as other performance improvements and bug fixes.

What's new in Blackmagic Camera 7.8 Beta
Supports live streaming on URSA Broadcast G2:
* Streaming via USB mobile phones.
* Stream via USB to Ethernet adapters.
* Adds streaming menu settings.
* Stream direct to YouTube, Twitter etc.
* Supports camera control back to camera.
* Supports tally back to camera.
* Supports talkback sound back to camera.
Includes other performance improvements and bug fixes.
Please note that some iPhone 12 models won't work correctly with the URSA Broadcast G2 for live streaming.

What’s new in Blackmagic RAW 2.3
Improves Blackmagic RAW recording from the SIGMA fp and fp L.
Added sample code project for a command line OpenEXR transcoder.
Premiere Pro plugin performance and stability improvements.
General performance and stability improvements.

Grass Valley has just released version 10.32 of EDIUS X. A number of new functions have been added to the software. As an example, also the Pro version now supports 8K. As always, EDIUS X users receive the update free of charge. This version includes, amongst others, the following new features:

• Nikon Z9 N-Raw format with N-Log colorspace and Nikon Z9 ProRes RAW support
• 8K Support: EDIUS X Pro can create, edit and export projects in resolutions up to 8K (before only Workgroup)
• Extended Copy Clip Attribute Function: Paste attributes to multiple clips
• Extended Copy Clip Attribute Function: Copy and paste clip color
• Extended HLS format editing and export (Amazon S3)

For all added features in EDIUS please see the release notes of EDIUS X Version 10.32. Here you can download the new EDIUS X version 10.32 directly.

Temporarily (or until sold out) included in the price of the camera Blackmagic Design Pocket Cinema Camera 6K Pro also viewfinder Blackmagic Pocket Cinema Camera Pro EVF!

Press Release

Blackmagic Design today announced a new family of live production switchers that include powerful broadcast features, while including the latest electronics technology so they are extremely affordable. The new models are a 1 M/E model with 10 x 3G‑SDI inputs, 2 M/E model with 20 x 3G‑SDI inputs and a 4 M/E model with 40 x 3G‑SDI inputs. All models include full standards conversion on every SDI input, 4 ATEM advanced chroma keyers per M/E row, a DVE per M/E row, media players, larger media pool and much more. These new switchers are designed as a professional upgrade for ATEM Mini customers who need to expand, or for large broadcasters who want to upgrade their studios to get a modern switcher. ATEM Constellation HD switchers are available immediately starting at 919 EUR ex. VAT.

ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so customers can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections.

With a control panel built into the front panel, customers can simply walk up and operate the ATEM Constellation at any time. Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. Customers can even control keyers, media and fade to black from the front panel. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed.

The ATEM Constellation HD family features models that have up to 40 independent 3G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher. That means customers could have each switcher SDI input running a different television standard and all the inputs will just work.

The ATEM Constellation HD family have a massive number of fully independent 3G-SDI outputs. Even the small 1 M/E model has 6 x 3G-SDI outputs. Then the 2 M/E model has 12 x 3G-SDI outputs and the 4 M/E model has a massive 24 x 3G-SDI outputs. These SDI outputs are very powerful because customers can independently route any SDI input or any internal source to each SDI output. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.

The built in multiview lets customers monitor multiple sources on a single monitor. The 1 M/E model includes 1 multiview, the 2 M/E model has 2 independent multiviews and the 4 M/E model has 4 independent multiviews. All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. Customers can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so customers know what sources are on air.

ATEM Constellation HD includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions.

To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. Customers get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. Customers can even use channels 13 and 14 for engineering talkback.

The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. The built in media pool holds graphics for use with the media players and the 1 M/E model can hold 20 stills and 200 frame animations, the 2 M/E model can hold 40 stills and 400 frame animations and the 4 M/E model can hold 60 stills and 600 frame animations.

For news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. Customers get precise controls for edge and flare, and there is even a foreground color corrector so customers can match the "look" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. Customers get 4 ATEM Advanced Keyers on the 1 M/E model, 8 ATEM Advanced Keyers on the 2 M/E model and 16 ATEM Advanced Keyers on the 4 M/E model.

With 4 upstream chroma keyers per M/E row, customers get the perfect solution for building virtual sets. With so many ATEM advanced chroma keyers, customers can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M/E model has enough keyers to generate a 4 camera virtual set. Customers can use external image processors for virtual sets, or customers can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. Customers can setup macros to change cameras and load the correct background into the media players. With so much flexibility, customers can experiment to try out different studio setups.

In addition to the DVEs in the M/E rows, the 2 M/E and 4 M/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture in picture displays for interviews because customers can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M/E Constellation even has 2 completely independent SuperSource processors.

The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus the program outputs include talkback, tally and camera control information. That means customers can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.

With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher. Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M/E model has extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. Customers get extra channels for the analog input, talkback microphone and media players. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel.

The ATEM Software Control Panel gives customers total control over their switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. The ATEM Software Control also lets customers access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. Customers can even save the full state of the switcher as XML files, plus all media is backed up from the media pool.

All rows of M/E buttons include integrated LCDs for dynamic input button labeling. The 1 M/E model features a single M/E row with 10 input buttons. The 2 M/E model features 2 M/E rows with 20 input buttons. The massive 4 M/E model features 4 M/E rows with 40 input buttons per row and 4 independent system control LCD screens.

Unlike other switchers, all features are included in the purchase price. That means customers get all features fully enabled and always ready for use. There are no license fees to allow customers to use features and no ongoing monthly costs. This means users will never experience a license expiring 5 minutes before their program starts. Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use.

ATEM Constellation HD Switchers Features

• Advanced design with built in front panel controls.
• Up to 40 standards converted 3G-SDI inputs.
• Up to 24 customizable 3G-SDI outputs.
• Includes up to 4 independent multiviews with multiple layout options.
• Includes DVE and stinger transitions.
• Includes up to 4 DVEs.
• Professional talkback compatible with ClearCom and RTS.
• Internal media for stills and motion graphics.
• Includes new ATEM Advanced Chroma Key.
• 4 upstream ATEM Advanced Chroma keyers per M/E row for green/blue screen work.
• Up to 4 independent DVEs.
• Multi rate 3G-SDI for all HD television standards including 720p, 1080i and 1080p.
• Built in 156 channel Fairlight audio mixer.
• Includes free software control panel.
• Compatible with all ATEM hardware control panels.
• All features are included with no extra customer costs.

Availability and Price
ATEM Constellation HD switchersare available immediately from 919 EUR ex. VAT.

Press Photography
Product photos of the Blackmagic Cloud Pod, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984.

Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Press Release

Blackmagic Design announced HyperDeck Extreme 4K HDR, a new broadcast deck with advanced H.265 4K recording featuring a touch screen user interface with built in scopes and HDR screen. HyperDeck Extreme 4K HDR will be available in April 2022 for 2795 EUR ex. VAT.

HyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support. With the ability to record up to 4K in H.265, customers get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of their recording as well as control over all deck settings. Customers can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.

HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view their recording. HyperDeck Extreme also includes 2 media slots, 12G-SDI, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.

With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow customers to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs. The scopes also help customers QA masters to ensure compliance with broadcast standards before streaming and broadcast.

The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs.

CFast media support allows customers to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so customers can swap out any full cards even during recording, allowing infinite length recording.

Sometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped.

Customers will be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. The built in scopes even change to HDR scopes when working in HDR formats. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Extreme HDR LCD color gamut can even handle 100% of the DCI-P3 format.

HyperDeck Extreme features full internal waveform monitoring so customers can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of their input or playback signal. The vectorscope display allows customers to see the intensity of color at 100% SDI reference levels. Customers also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in their images and highlights or shadows clipping.

H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports Apple ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro X.

With 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. It uses an easy text based protocol plus customers can use Telnet to test control commands. To upload media files remotely, customers can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and play out.

Availability and Price
HyperDeck Extreme 4K HDR will be available in April 2022 for 2795 EUR ex. VAT.

Press Photography
Product photos of the HyperDeck Extreme 4K HDR, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984.

Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.