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Using this easy to follow guide build your own editing, color correction and finishing system for DaVinci Resolve and DaVinci Resolve Studio.

Grass Valley released a new update 8.52b2293 for EDIUS 8.

New Features – EDIUS/Mync

• Support to load GoPro spanned clip

Fixed or improved:

EDIUS

• If XAVC clip is exported in overwrite mode, exported clip does not appear in the Bin
• Corrupted pane appears in settings dialog box if Windows DPI size is set to 175%
• EDIUS fails to load certain MOV clip by incorrect detection of field order
• EDIUS cannot import certain MOV clip
• Playback does not stop even though video frame drops if AJA card works as preview device
• Quick Titler starts in .etl format in factory default (default format is changed from this build)
• EDIUS does not detect that HLG clip shot by Sony PXW-Z150 has BT.709 color space in Primary Color Correction
• EDIUS does not export certain stereo audio tracks correctly in EDL export

Mync (EDIUS built-in Mync Standard)

• Created date is updated if Storyboard is exported in overwrite
• Mync cannot import certain MOV clip
• Placing order of audio clip is inverted in Storyboard if the clips duplicated
• Mync generates incorrect FCP XML if Storyboard contains AVCHD clip that has chapter marker
• EDIUS unable to load Storyboard if spanned clip is placed
• First frame always appears when enabling full-screen preview mode for Storyboard
  

The sixth beta update adds basic support for audio playback from nested timelines and compound clips, along with support for decoding MTS files with AC-3 audio. It also adds the ability to render multiple audio busses on the Deliver page, support for additional metadata in Cinema DNG and QuickTime files, support for RED Wide Gamut color space and Log3G10 gamma in DaVinci Resolve Color Management, and other improvements.

Panasonic has announced that it is now delivering the AW-HR140 outdoor integrated pan/tilt/zoom FHD remote camera, which is enclosed in an IP65 protected case eliminating the need for a separate housing. Primary applications for this SDI-output camera are for outdoor live events and sports arenas and stadiums, as well as for broadcast coverage of weather, traffic and scenics. Equipped with 1/2.86-type full HD 3MOS sensors, the camera realizes high sensitivity with low noise and high resolution (1000 horizontal TV lines) through the use of advanced video processing. In addition to a sharp, fast F1.6, 20x optical zoom lens, the HR140 boasts an innovative 1.4x digital extender that can increase the effective focal length of the lens by 40% while delivering smooth, high resolution video.

The SGM-250CX is a short length, condenser shotgun microphone that is ideal for mounting on compact digital cinema cameras, as well as mirrorless and DSLR cameras equipped with XLR adapters. At only 153 mm in length, the SGM-250CX is the perfect length to stay out of the way, but long enough to offer excellent rear and side sound rejection. The highly sensitive microphone element runs on 48 V phantom power and comes with a hardwired, (33 cm) XLR cable that provides convenient connection to camera.