Feelworld LUT7S

7" camera monitor with high brightness (2,200 cd/m², incl. ambient light sensor for automatic brightness adjustment), touch screen and support for 3D LUT corrections (integrated "Log to Rec.709" preset or import of custom .cube files). It comes with a set of "Retrofit" files. Mini/Micro HDMI-HDMI cable and mounting bracket. LUT7S variant with 4K HDMI and 3G-SDI I/O.

7" 2200nit ultra-bright SDI monitor

For the crew, the director and the focus puller

The LUT7S gives filmmakers a large on-camera display without making the rig cumbersome. It has 2200nit brightness with a light sensor, a Full HD touch panel, custom 3D LUTs, HDR monitoring and a full suite of scopes. On the back there are two Sony F970 battery plates, so the monitor lasts a full day of shooting.

Easy to see, easy to power

The ideal choice for the director

When you add a wireless transmitter, the usual problem is where to put it. The F970 kit solves that — the transmitter mounts on the monitor and runs from the same battery. Fewer cables, and the whole rig moves around the set faster.

High resolution, more detail in the field

View clearly and capture every detail

The 1920x1200 panel at 323 pixels per inch gives a clean image you can judge focus and colour on right there on set. A 1200:1 contrast ratio and a 160° viewing angle mean people standing off to the side can see it too.

True colour

Rec.709 standard

FEELWORLD calibrates the monitors at the factory with a professional instrument to the Rec.709 standard. The colour space follows the ITU norms, so what you see on the monitor matches what comes out of post.

HDR monitoring and custom 3D LUTs

What you see is what you get

Built in are HLG 2020, HLG 709, HLG P3 and Rec.709 de-slog3 conversions including SLOG2, SLOG3, LOGC and VLOG. Your own .cube files upload via SD card and you switch between them during the shoot.

Accurate waveform monitoring

Saves you a separate scope

When you need to judge the image more precisely than by eye, the LUT7S has built-in measurement: waveform (RGB parade, YUV parade, Y parade), vectorscope, brightness and RGB histogram and audio meters. The functions open one by one, or all at once with a single command.

Connect a cine camera or a DSLR

3G-SDI and 4K HDMI, both with loop-out

The 3G-SDI and 4K HDMI inputs take a signal from a cine camera or a DSLR. Both have a loop-out, so you can send the picture on to another display at the same time — to the director, or into a wireless transmitter.

Tilt arm

360° rotation in two axes

Every monitor ships with a cold-shoe mounted tilt arm. The monitor rotates 360° in two ways — through the side mounting point of the arm and through the bottom joint — so you can angle the picture as you need.

It mounts via the shoe or a 1/4"-20 thread. The arm has a shoe of its own for a microphone, an LED light or a wireless receiver. Two small dots on the arm line up with the monitor; the joint is then solid and you can turn the monitor without loosening the screws.

Three mounting points — bottom, left and right — fit third-party rigging, so the monitor goes on a camera, a director’s cart or anywhere else.

Tools for exposure and focus

Focus peaking outlines sharp edges in a colour that suits the subject — yellow, red, green, blue or white. False colour and zebra show exposure, check field separates the red, green and blue channels and a monochrome view. The audio meter watches levels.

Tools for framing

Zoom, anamorphic de-squeeze (1.25× to 2.0×), image flip horizontally and vertically, nine grid, pixel-to-pixel display, centre marker, safety area and aspect ratios from 16:9 to 2.35:1.