Sony UWP-D26 wireless kit in the K33 band (566.025–630.000 MHz) with two transmitters: the UTX-B40 bodypack transmitter with the ECM-V1BMP omnidirectional lavalier microphone, the UTX-P40 plug-on transmitter for microphones with an XLR connector and the URX-P40 camera-mount receiver. The UWP-D series combines digital audio processing with analogue UHF tra…
Sony UWP-D26 wireless kit in the K33 band (566.025–630.000 MHz) with two transmitters: the UTX-B40 bodypack transmitter with the ECM-V1BMP omnidirectional lavalier microphone, the UTX-P40 plug-on transmitter for microphones with an XLR connector and the URX-P40 camera-mount receiver. The UWP-D series combines digital audio processing with analogue UHF transmission.
The speaker wears the bodypack transmitter with the lavalier microphone, while the plug-on transmitter turns a handheld or shotgun microphone with XLR into a wireless one. The camera-mounted receiver picks up one of them at a time, and channel memory switches between them at the press of a button.

The UTX-P40 plugs straight onto the microphone's XLR connector and supplies +48 V phantom power. Attenuation is adjustable from 0 to 48 dB, and it runs for about 8 hours on two AA batteries, about 6 hours with +48 V switched on.
The optional SMAD-P5 Multi Interface Shoe adaptor seats the URX-P40 receiver in the shoe of a compatible Sony camera or camcorder. Audio goes into the camera digitally without A/D and D/A conversion, the receiver is powered by the camera and its status shows in the viewfinder.
The transmitter sends its frequency to the receiver, so you can quickly tune one microphone to several receivers at once. On multi-camera shoots there is no need to tune each receiver by hand.
Two independent receiver sections and two angle-adjustable antennas: the receiver always picks the stronger signal.
AUTO GAIN mode with a limiter watches the input level for you, and the +15 dB boost helps when the microphone is further from the mouth.
The kit works with the Sony UWP and WL-800 systems, and both transmitters can also be synced by infrared from the earlier URX-P03, URX-P03D and URX-S03D receivers.
Transmitters and receiver run on two AA batteries or from a power bank over USB-C; the receiver lasts about 6 hours on alkaline batteries.
Main features
A combo kit for working without a crew
The Sony UWP-D26 is a dependable camera-mount wireless combo kit that delivers uncompromising audio quality, yet is easy to use and quick to set up without digging through menus. It is designed for simplicity for camera operators, videographers, vloggers and journalists working in the field without a crew. Professional features such as NFC SYNC and AUTO GAIN take care of time-consuming frequency setup and microphone level adjustment, so you are ready to shoot within seconds.
The rugged, lightweight UWP-D26 includes the bodypack transmitter with the ECM-V1BMP omnidirectional lavalier microphone. It also includes the plug-on transmitter, which attaches to a handheld microphone of your choice for street interviews or to a shotgun microphone for wireless boom work (both microphones sold separately). The plug-on transmitter supplies +48 V phantom power, so you can also use a condenser microphone.
The low-profile camera-mount receiver is designed for mobility with compact camcorders and smaller DSLR and mirrorless cameras. It combines digital audio processing for clean sound with analogue UHF transmission and true diversity reception that stays reliable even under difficult shooting conditions.
Sony camera owners can use the SMAD-P5 digital Multi Interface Shoe adaptor (sold separately), which provides a direct, clean digital audio connection to selected cameras with a digital Multi Interface Shoe. With the UWP-D26 you can concentrate on everything else that needs your attention during a shoot and confidently record crisp, clear speech and dialogue for documentaries, wedding videos, YouTube content, corporate videos and hands-free interviews.
The UWP-D26 is backward compatible with the Sony WL-800 and UWP series.
Note: the kit includes two transmitters, but the URX-P40 receiver picks up only one of them at a time.
Professional features that speed up your work
Automatic channel setting via NFC
Press and hold the NFC SYNC button and the receiver scans for the clearest free channel. Then simply hold the transmitter next to the receiver, the channel setting transfers automatically and you are ready to go.
Unlike purely digital systems, the UWP-D26 lets you send a single microphone to several cameras at once, which is useful for broadcast work. Fast NFC communication makes setting up multiple receivers easy.
AUTO GAIN against distortion
AUTO GAIN mode saves you the time and trouble of setting and watching the input level on the transmitter. A limiter helps prevent distortion, which is useful when you do not know how loudly the presenter will speak.
The +15 dB gain boost mode raises the microphone gain by 15 dB for situations where the microphone is not close enough to the speaker's mouth and the level is insufficient.
The input level can also be set manually.
High-visibility OLED display for indoor and outdoor use
The receiver and both transmitters have an easy-to-read OLED display. Its quick response shows the operating status clearly and accurately in real time, even in bright sunlight.
Channel memory
Channel memory lets you switch the receiver at the press of a button, for example between the groom's lavalier microphone and the microphone for interviewing wedding guests. It is just as quick to change microphones during a corporate presentation or to switch to a backup microphone.
Filter against occupancy sensor interference
Two levels of filtering help remove the interference caused by the ultrasonic occupancy sensors that modern buildings use to switch off the lights when people leave a room.
Reliable reception with true diversity
For stable audio, the UWP-D receiver uses true diversity technology with two antennas and two independent receiver sections. It compares both RF signals and automatically outputs the stronger one, keeping dropouts to a minimum.
The angle of both antennas can be adjusted, which further helps prevent signal dropouts.
The K33 version operates from 566.025 to 630.000 MHz (UHF-TV channels 33–40).
High-quality sound with digital processing
Unlike traditional analogue wireless systems, the UWP-D complements proven analogue UHF transmission with Sony's own digital audio processing. Transients and consonants are reproduced more accurately, so the sound is clear, natural, intelligible and nuanced.
The ECM-V1BMP lavalier microphone is optimised for clear, intelligible speech. It is omnidirectional and picks up sound from all directions, which allows flexible placement and freedom of movement for the speaker.
A compact build, ready for the camera
The UWP-D26 has a robust all-metal construction that stands up to demanding conditions.
The compact bodypack transmitter is light and comfortable for the speaker to wear. The locking 3.5 mm BMP-type microphone input ensures the lavalier microphone does not come loose at a critical moment.
The equally light plug-on transmitter attaches to any dynamic or condenser microphone with an XLR connector.
The supplied shoe mount adaptor lets you mount the receiver on the camera with minimal extra weight. Cables for cameras with a 3.5 mm or XLR audio input are included.
Direct digital audio via the SMAD-P5 adaptor
The SMAD-P5 digital Multi Interface Shoe adaptor connects the receiver to XDCAM camcorders and selected Sony cameras with a digital Multi Interface Shoe.
Several power options
Two AA batteries (alkaline, NiMH rechargeable or lithium) power the bodypack transmitter for about 8 hours, the plug-on transmitter for about 8 hours (about 6 hours with +48 V switched on and an ECM-673 microphone) and the receiver for about 6 hours.
The accumulated running time display shows how long the batteries have been in use.
Both transmitters and the receiver can also be powered through their USB-C ports, so they run for many hours from a USB power bank or indefinitely from mains power.
With the SMAD-P5 adaptor, the receiver takes its power directly from Sony cameras with a Multi Interface Shoe.
Detachable battery compartments allow quick battery changes on set.
Headphone monitoring on location
If your camera has no headphone jack, you can monitor the sound through the receiver's headphone output while recording.
When the director or crew use the receiver as a personal monitor, monitor mode lets you adjust the headphone volume on the fly with the + and − buttons.
Other features
Compatibility with other Sony wireless systems
A UWP-D transmitter can be used with a UWP or WL-800 series receiver, and a UWP or WL-800 series transmitter can be used with a UWP-D receiver.
| Frequency version | K33 (33CE) |
|---|---|
| Carrier frequencies | 566.025–630.000 MHz (UHF-TV channels 33–40) |
| Oscillator type | crystal-controlled PLL synthesizer |
| Tone signal by compander mode | UWP-D 32.382 kHz · UWP 32 kHz · WL800 32.768 kHz |
| Pairing | NFC SYNC; transmitters also IR SYNC for the URX-P03, URX-P03D and URX-S03D receivers |
| Operating temperature | 0 to 50 °C |
| Storage temperature | −20 to +55 °C |
| RF output level | 30 mW / 5 mW, selectable |
|---|---|
| Audio input connector | XLR-3-11C type (female) |
| Reference audio input level | −60 dBV (MIC input, GAIN MODE NORMAL, 0 dB attenuation) |
| Attenuation | 0 to 48 dB (3 dB steps) |
| Frequency response | 23 Hz to 18 kHz (typical) |
| Signal-to-noise ratio | 60 dB (−60 dBV, 1 kHz input) · 102 dB (GAIN MODE AUTO GAIN, max.) · 96 dB (GAIN MODE NORMAL, max.) |
| Distortion (THD) | 0.9% or less (−60 dBV, 1 kHz input) |
| Audio delay | approx. 0.35 ms |
| Display | OLED |
| Power supply | DC 3.0 V (2× AA/LR6 alkaline batteries) · DC 5.0 V (USB-C) |
| Battery life | approx. 8 hours at 30 mW (+48 V off), 6 hours (+48 V on, ECM-673) (2× alkaline AA, 25 °C, DISPLAY MODE AUTO OFF) |
| Dimensions (W × H × D) | 38 × 98 × 38 mm |
| Mass | approx. 139 g (excluding batteries) |
| Antenna | 1/4 λ wire antenna |
|---|---|
| RF output level | 30 mW / 5 mW, selectable |
| Audio input connector | 3.5 mm 3-pole locking mini jack |
| Reference audio input level | −60 dBV (MIC input, GAIN MODE NORMAL, 0 dB attenuation) · +4 dBu (LINE input) |
| Attenuation | 0 to 27 dB (3 dB steps) |
| Frequency response | 23 Hz to 18 kHz (typical) |
| Signal-to-noise ratio | 60 dB (−60 dBV, 1 kHz input) · 102 dB (GAIN MODE AUTO GAIN, max.) · 96 dB (GAIN MODE NORMAL, max.) |
| Distortion (THD) | 0.9% or less (−60 dBV, 1 kHz input) |
| Audio delay | approx. 0.35 ms |
| Display | OLED |
| Power supply | DC 3.0 V (2× AA/LR6 alkaline batteries) · DC 5.0 V (USB-C) |
| Battery life | approx. 8 hours at 30 mW (2× alkaline AA, 25 °C, DISPLAY MODE AUTO OFF) |
| Dimensions (W × H × D) | 63 × 73 × 19 mm (excluding antenna) |
| Mass | approx. 83 g (excluding batteries) |
| Reception method | true diversity |
|---|---|
| Antenna | 1/4 λ wire antenna, angle-adjustable |
| Frequency response | 23 Hz to 18 kHz (typical) |
| Signal-to-noise ratio | 60 dB (1 kHz sine wave, 5 kHz modulation) · 96 dB (1 kHz sine wave, max deviation) |
| Distortion (THD) | 0.9% or less (1 kHz sine wave, 5 kHz modulation) |
| Audio delay | approx. 0.35 ms (analogue output) · 0.24 ms (digital output) |
| Audio output connectors | 3.5 mm 3-pole locking mini jack · auxiliary connector for SMAD-P5 |
| Audio output level | −60 dBV (3.5 mm jack, analogue) · −20 dBFS (auxiliary connector, digital) · −50 dBV (auxiliary connector, analogue) |
| Audio output level variation | −12 to +12 dB (3 dB steps) |
| Headphone output | 3.5 mm stereo mini jack, max. 10 mW (16 Ω) |
| Power supply | DC 3.0 V (2× AA/LR6 alkaline batteries) · DC 5.0 V (USB-C) |
| Battery life | approx. 6 hours (2× alkaline AA, 25 °C, DISPLAY MODE AUTO OFF) |
| Dimensions (W × H × D) | 63 × 70 × 31 mm (excluding antenna) |
| Mass | approx. 131 g (excluding batteries) |
| Type | electret condenser microphone |
|---|---|
| Frequency response | 40 Hz to 20 kHz |
| Directivity | omnidirectional |
| Sensitivity | −43.0 dB ±3 dB (0 dB = 1 V/Pa, 1 kHz) |
| Cable | ⌀ 2.3 mm, 2-conductor shielded, 1.2 m long |
| Dimensions | ⌀ 6.8 × 19.5 mm (without cable and connector) |
| Mass | approx. 16.2 g |
| Manufacturer: | SONY |
| Category: | Wireless systems |
| Frequency band | UHF |
| Number of channels | 1 |
| Frequency range | 566.025–630.000 MHz |
Special offers and discounts for subscribers only · Free audio & video workshops · News and tips from the world of filmmaking