Dual ADC against clipping
The two converters work at different gain levels, so a loud peak has nowhere to clip.
The Sony XLR-H2 XLR Handle Unit is a professional audio handle designed for compatible Sony cinema cameras, delivering high-quality 96 kHz / 32-bit float audio recording with dual ADC technology. Featuring two XLR inputs, support for up to 4-channel recording, cable-free connection through the Sony Multi Interface (MI) Shoe, and an ergonomic handle design,…
The Sony XLR-H2 XLR Handle Unit is a professional audio handle designed for compatible Sony cinema cameras, delivering high-quality 96 kHz / 32-bit float audio recording with dual ADC technology. Featuring two XLR inputs, support for up to 4-channel recording, cable-free connection through the Sony Multi Interface (MI) Shoe, and an ergonomic handle design, it provides flexible, broadcast-quality audio capture for professional filmmaking and content creation.
32-bit floating point recording at 96 kHz. Two converters running at different gain levels capture quiet room tone and loud sources alike, without the signal clipping.


The handle takes four channels and stores them separately, so each microphone can be handled on its own in the edit. Channel assignment is yours to choose, and safety tracks can carry their own gain.

The extended grip stays comfortable when shooting near the ground or on the move. Three mounting points take a monitor, a microphone or a rod clamp without the rig coming apart.
The handle draws power and data through the camera shoe, so nothing else runs to it. The rig stays clean — on a documentary, an interview or a live broadcast, that is half the calm.
The two converters work at different gain levels, so a loud peak has nowhere to clip.
A higher sampling rate holds detail and dynamics even after work in post.
The floating point format lets you move the level in the edit without losing quality.
The handle supports high-resolution audio microphones, so a professional mic is not half wasted.
The Sony XLR-H2 XLR Handle Unit is a premium audio accessory that transforms compatible Sony cinema cameras into professional audio recording systems. Designed to mount directly onto the Sony Multi Interface (MI) Shoe, the handle provides both power and audio transmission without additional cables or batteries, creating a streamlined setup for filmmaking, documentary production, interviews, live events, and broadcast applications.
Built to maximize the performance of professional microphones, the XLR-H2 supports 96 kHz sampling and 32-bit float recording, preserving exceptional detail, dynamic range, and audio fidelity. With dual analog-to-digital converters (Dual ADCs) operating at different gain levels, the system accurately captures everything from subtle ambient sounds to loud audio sources while significantly reducing the risk of clipping. This allows greater flexibility during post-production, as audio levels can be adjusted without sacrificing quality.
The XLR-H2 supports 4-channel audio input, enabling simultaneous recording from multiple microphones onto independent tracks for advanced editing workflows. Flexible channel assignment, independent safety channels with different gain settings, and support for Hi-Res Audio microphones provide greater creative control and recording confidence.
Designed for comfortable handheld operation, the extended grip improves camera handling during low-angle and mobile shooting. Three anti-rotation threaded mounting points allow secure attachment of monitors, wireless receivers, articulating arms, and other accessories, while an additional threaded mount supports a cold shoe adapter.
Audio controls are arranged for fast operation, with dedicated overload (OL) indicators, manual gain controls, low-cut filters, and attenuator switches positioned for quick adjustment during recording. Built using over 41% recycled plastic materials, including Sony's durable SORPLAS™, the XLR-H2 also reflects Sony's commitment to environmentally responsible manufacturing.
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