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Press Release

Blackmagic Design announced that multiple Micro Cinema Cameras and Pocket Cinema Cameras were used by Second Unit DP Igor Meglic to capture action scenes for Universal Pictures’ “Jason Bourne.” A Blackmagic Video Assist monitor and recorder was also used to verify camera positioning during shooting.

Directed by Paul Greengrass (“The Bourne Supremacy,” “The Bourne Ultimatum”), the film is the next installment of the Bourne franchise, which follows lethal former CIA operative Jason Bourne as he is drawn out of the shadows. Matt Damon returns to the role of Jason Bourne and is joined by Alicia Vikander, Vincent Cassel, Tommy Lee Jones and Julia Stiles.

Having also worked on 2007’s “The Bourne Ultimatum,” Meglic was familiar with the requirements for capturing the thrilling chase scenes and heart-pounding action that the second unit was responsible for on the film.

“One of the most important things when shooting action scenes for any movie is to stay consistent with the established look of the movie, so once you transition to an action scene, there’s no difference to the eye, and it feels like the same scene and style,” explained Meglic. “On ‘Bourne,’ it was especially important because of the particular visceral documentary style of the film.”

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Meglic continued, “We chose the Micro Cinema Cameras and Pocket Cinema Cameras because of the combination of size and performance they delivered, which in turn helped us match the look and style of the film. I haven’t found another camera that will deliver on those two things: being as light as they are while still delivering the image quality needed to blend in with the A cameras. I always try to extract as much as I can from a camera, so they are dealing with good footage in post, and the dynamic range on both cameras was very good.”

Meglic used five Micro Cinema Cameras to help capture the final car chase scene in the film, which took place on the Las Vegas strip. Mounted to the side of a S.W.A.T. truck, the Micro Cinema Cameras captured all the action as the truck plows through rows of cars on the strip.

“Cutting to these mounted shots really quickly gives your senses a jolt, and you see cars flying right by the cameras,” said Meglic. “In the same sequence, the car that Bourne is driving jumps onto the S.W.A.T. truck, and we put a Micro Cinema Camera on the ground right in front of the truck. We timed it so the camera captured Bourne’s car landing on the truck as the truck drives right over the camera. Our Key Grip Peter Chrimes had built a little cage for the camera, and even though all 8,000 lb. of truck ran over it, the camera survived.

“At one point, the S.W.A.T. truck crashes into a casino and drives inside,” he added. “We put Micro Cinema Cameras in between the slot machines where the truck hits. We got a great shot, and the cameras kept on recording.”

Several Pocket Cinema Cameras were also used during a chase scene in the Canary Islands. “We used three Pocket Cinema Cameras for a motorcycle and car chase scene, which required a very light camera that could be mounted onto the helmet and body of the stunt person on the motorcycle,” explained Meglic. “This was pretty serious stuff, and we had the guys going up and down stairs, over jumps and down very narrow alleys and streets. We used the footage for great POV shots.”

The Micro Cinema Cameras were also used to shoot the existing lighting environment on the Las Vegas strip. Set up as a four camera array system, all shutter and genlocked together with a single point trigger, the footage captured was then displayed on overhead panels while shooting the corresponding green screen plates with the actors. The Micro Cinema Cameras were positioned to shoot left, right, front and rear, creating a 360? shot of the area. Along with the plate cameras in the vehicles, all cameras recorded timecode so each exact frame of the plate shot would correspond to the lighting environment shot, creating a perfect match up.

A Blackmagic Design Video Assist was used to verify frame overlap and positioning of the cameras for each desired shot. All cameras were then transmitted via a quad splitter back to the command van to ensure camera rolling, frame accuracy and ability to watch the shot live.

Press Photography

Product photos of Blackmagic Micro Cinema Camera, Pocket Cinema Camera, Video Assist and all other Blackmagic Design products are available at www.blackmagicdesign.com/press/images.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

Sony is committed to helping students learn the professional production skills that they will need today and in the future. Sony is providing a promotion valid from 1 August until the 31 of December 2016 to Students whereby the Student is entitled to claim a cashback when they have purchased one unit of any of the limited products shown on the table below from a dealer or reseller. 

Mevo, Livestream's streaming camera for Livestream Live has shipped. The Mevo fits in the palm of your hand, yet its 150-degree all glass lens and 4K sensor enable the iOS app to control up to nine virtual HD cameras. Live editing includes the ability to pan, zoom, and cut between multiple live shots from a single camera, providing the same storytelling capabilities used in professional live productions. Movi can also be easily added as a remote camera in Livestream Studio. The camera ships this month.

Red Giant Software released PluralEyes 4.1, an update to their tool for audio/video sync in seconds. This is a free update for current users and includes:

EDIUS Pro support – Users can start a project in PluralEyes 4.1 and export the synced project to an FCP 7 XML file that can be imported into EDIUS Pro 7.5 or 8. Note: all video media must have the same frame rate; mixed frame rates projects are not supported by the EDIUS XML import.

Music Video Workflow – A popular way to shoot music videos is to have talent performing along with the same background audio (music track) in multiple takes or even in multiple locations. During the A/V sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.

Support GoPro Spanning Media – In order to overcome file size limits, some cameras support a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.

Delete multiple clips together – In version 4.1, you can now select multiple clips and delete them together, making it easier to clean up a synced project in PluralEyes 4.1 before exporting to an NLE.

Ability to turn off drift-correction – Previous versions of PluralEyes 4 always correct audio drift when audio drift reaches a certain threshold. This could lead to longer sync times for larger projects with audio drift that some might consider minimal. Now a user can turn off drift-correction by unchecking the “Correct Audio Drift” sync option under the Sync menu item.

You can get the update here or use Red Giant Link to update. For Edius Support, you must use the installer here.

The third and fourth installments in the new EDIUS Podcast series cover DVD and Blu-ray disc burning, and GV Browser media import, respectively. Visit podcast.edius.net YouTube channel to watch the ongoing podcast series.