The Blackmagic URSA Cine 12K LF + EVF is a digital film camera with a large format RGBW 36 × 24 mm sensor, resolution up to 12,288 × 8040 and 16 stops of dynamic range. It records Blackmagic RAW to a Blackmagic Media Module 8TB and has built-in ND filters, two 5″ touchscreens, interchangeable PL, LPL and EF lens mounts and 10G Ethernet with Wi-Fi for Blackmagic…
The Blackmagic URSA Cine 12K LF + EVF is a digital film camera with a large format RGBW 36 × 24 mm sensor, resolution up to 12,288 × 8040 and 16 stops of dynamic range. It records Blackmagic RAW to a Blackmagic Media Module 8TB and has built-in ND filters, two 5″ touchscreens, interchangeable PL, LPL and EF lens mounts and 10G Ethernet with Wi-Fi for Blackmagic Cloud. The kit includes the URSA Cine EVF electronic viewfinder.
A large format sensor, Blackmagic RAW recording to built-in network storage and 10G Ethernet with Wi-Fi for Blackmagic Cloud sync – a camera built for high end film production and fast collaboration with post production.

Image processing is built around DaVinci Wide Gamut, so it preserves everything the sensor captures. Blackmagic RAW stores camera and lens metadata, white balance and custom LUTs, keeping the image consistent from the shoot to post production in DaVinci Resolve Studio, which is included.
The fold-out 5″ HDR touchscreen has a color status LCD on its back, and the right side of the camera has a second 5″ assist screen with 1500 nits for the camera assistant.
The 7-pin LEMO and 3-pin Fischer trigger recording and supply 24 V to accessories, the camera is powered via an 8-pin LEMO 24 V input and has two 12G-SDI outputs.
The 35.64 × 23.32 mm sensor with a 2.9 micron pixel pitch has larger photo-sites and 16 stops of dynamic range. The RGBW architecture has equal amounts of red, green and blue pixels, so color is rich at every resolution from 4K to 12K.

A magnesium alloy chassis with a lightweight carbon fiber polycarbonate composite skin makes it easy to move on set. Backlit buttons are easy to see in any light, 7 buttons can be assigned to your own functions, and the fold-out screen can be rotated and folded back into the body.

The camera comes with a PL mount fitted and a lockable EF mount for heavier photo lenses is included; an LPL mount is optional. Lens data from i/Technology lenses and electronic EF lenses is saved in the metadata.

Button activated 2, 4 and 6 stop ND filters with IR filtering are matched to the camera colorimetry, so color stays accurate even in harsh sunlight. Infrared is filtered evenly together with visible light.

An OLPF precisely matched to the sensor reduces moiré and aliasing on fine fabric patterns or LED walls. Updated IR filtering improves far red response and, together with Blackmagic RAW, preserves color and detail.

12K 3:2 open gate up to 80 fps, 12K 17:9 up to 100 fps, 12K 2.4:1 up to 120 fps, 8K and 4K open gate up to 144 fps and 8K 2.4:1 up to 224 fps. A 9K Super 35 window is also available for classic cinema lenses.

The 8TB module is fast network storage right inside the camera – it records the highest resolutions and frame rates for hours and files are accessible over Ethernet. The module can be removed and loaded into a Blackmagic Media Dock to share media on a network or upload it to Blackmagic Cloud.

Blackmagic RAW recording with constant bitrate (3:1 to 18:1) or constant quality (Q0 to Q5) and simultaneous H.264 1920 × 1080 proxies. Proxies can be uploaded to Blackmagic Cloud during the shoot, so post production can work with them almost instantly.

The kit includes the URSA Cine EVF electronic viewfinder with a 1920 × 1080 OLED display, glass optics with −5 to +5 diopter adjustment and six assignable buttons. It connects with a single locking USB-C cable for video, power and control.

10G Ethernet is used for SMB file sharing, web media management, Blackmagic Cloud uploads and camera control. The camera streams via SRT and RTMP over Ethernet, Wi-Fi or the mobile data of a connected phone.

Two XLR inputs (mic, line, AES, phantom power), two 12G-SDI outputs, reference and timecode input, USB-C for the viewfinder, two side USB-C monitor ports and two for accessories, 10G Ethernet RJ-45, 7-pin LEMO EXT, 3-pin Fischer RS, 8-pin LEMO 24 V power input and 3.5 mm headphone jack.
Space for both the image and on-set decision-making
The URSA Cine professional digital film camera is equipped with a new, revolutionary sensor designed to deliver stunning images at all resolutions from 4K to 12K. The larger sensor builds on the technology of the URSA Mini Pro 12K, featuring larger pixels for a 16 EV dynamic range. The sensor’s unique RGBW architecture provides an equal number of red, green, and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide maximum image quality.
The URSA Cine is designed to meet the demands of high-end film production. The evenly balanced camera body is constructed from a rugged magnesium alloy chassis and a lightweight polycarbonate composite shell, which helps users move quickly on set. Standard Lemo and Fischer connectors allow for remote camera control while also providing power to lens motors and other accessories. Users also have access to 12G-SDI, 10G Ethernet, USB-C, XLR audio, and other interfaces.
The full sensor area delivers a stunning 3:2 Open Gate image, allowing for easy cropping of shots in post-production. Alternatively, users can take advantage of the large sensor area for anamorphic shooting to create 1.3x, 1.5x, 1.6x, 1.66x, 1.8x, and 2x aspect ratio shots. In addition, users can shoot in 4K, 8K, or 12K resolution using the entire sensor without cropping, thereby preserving the full field of view of their lenses. There are even 9K Super 35 modes available for full compatibility with classic cinema lenses.
Different projects require different lenses, which is why the URSA Cine is equipped with an interchangeable lens mount. Users can quickly switch between PL, LPL and EF mounts. Each mount also features contacts for reading lens metadata for monitoring and post-production use.
URSA Cine allows crews to work faster on set thanks to multiple monitoring options. The camera features a large 5-inch HDR touchscreen on one side and an external color status LCD display on the other. On the right side of the camera is a dedicated assistant station with a second 5-inch HDR touchscreen, allowing the crew to work around the camera without needing external monitors. There’s even a special mode for precise focusing.
Thanks to a wide range of standard industry connections, the URSA Cine is ideal for high-end film production. The 7-pin Lemo connector and 3-pin Fischer connector on the front panel control record start/stop and provide 24 V power, making them ideal for on-board accessories such as focus motors. The camera is powered via a standard 24V 8-pin Lemo connector, and there is an additional 2-pin 12V Lemo connector on the rear for accessories requiring a lower voltage.
Blackmagic RAW files store camera metadata, lens data, white balance, and LUTs, ensuring image consistency during both shooting and post-production. The URSA Cine records to the included 8TB Blackmagic Media Module, allowing users to capture more than 4 hours of footage in Blackmagic RAW at 12K or up to 20 hours at 4K!
URSA Cine features a high-performance optical low-pass filter (OLPF) that is precisely matched to the sensor. The OLPF also includes updated infrared filtering, which, combined with Blackmagic RAW processing for URSA Cine, preserves colors and critical image details for a new level of image fidelity.
URSA Cine is the first digital film camera with built-in ultra-fast, high-capacity Cloud Store technology. The Blackmagic Media Module is fast, durable, and features massive 8 TB of storage. High-speed storage allows users to record at the highest resolutions and frame rates for hours on end and access files directly over a high-speed 10G Ethernet network. Alternatively, users can utilize media they already own using the optional Blackmagic Media Module CF, which features two CFexpress slots.
The Blackmagic Media Dock speeds up the post-production workflow by accelerating and simplifying the start of editing and color correction. Connect up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras simultaneously. Four high-speed 10G Ethernet ports allow for direct connection of up to four separate editing workstations and remain extremely fast even when many users are connected at once.
In addition to the original camera media, URSA Cine supports the creation of a small H.264 proxy file during recording. This can be uploaded to Blackmagic Cloud in seconds, making the media available back in the studio in real time. The ability to transfer media directly into a DaVinci Resolve bin while editors are working is revolutionary!
Users can now also live stream from the shoot. URSA Cine features a built-in hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even a 4G or 5G phone for mobile data.
URSA Cine supports the Blackmagic URSA Cine EVF electronic viewfinder, which is included in this kit and enables precise and easy outdoor and handheld shooting. Users get an integrated high-quality 1920 x 1080 color OLED display with a built-in proximity sensor and a 4-element glass diopter for high precision with a wide range of focus adjustments.
The URSA Cine features an 8-pin Lemo power connector on the rear of the camera that works with both 24V and 12V power sources. This means the camera can be easily used with existing power supplies, batteries, and accessories. The URSA Cine comes with a 250W power supply and a B-Mount battery plate, allowing users to use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and others.
The URSA Cine comes with everything users need to start shooting. Each camera comes in a rugged Pelican case with custom foam inserts that precisely and securely hold the camera and its accessories. A PL lens mount is pre-installed on the camera body, and users also receive a replaceable, lockable EF mount for a firm and secure hold when using heavier EF lenses. Users also receive a pre-installed, formatted, and recording-ready 8TB recording module, a top handle, antennas for high-speed Wi-Fi, a base plate, a 24V power supply, and a high-voltage plate for mounting Type B batteries for quick setup.
Key Features
The Blackmagic URSA Cine 12K LF + EVF works with accessories from the URSA Cine platform: additional recording media, a monitor, battery plates and rigging parts.
Media and docks - Blackmagic Media Module recording modules and docks for fast network sharing of footage.
Viewfinder and monitor - Electronic viewfinder and monitors that connect with a single USB-C cable.
Power - Battery plates for B-Mount, Gold Mount and V-Lock batteries, 24 V batteries and a charger.
Rigging and lens mounts - Baseplates, top handle, rosette and parts for changing the lens mount.
| Manufacturer: | Blackmagic Design |
| Category: | Digital Cinema |
| Camera Sensor size | Full Frame |
| Resolution | 12K |
| Type of bayonet | EF · PL |
| Output | 12G SDI |
| Sensor size | Full Frame |
| Lens mount | PL |
| Maximum video resolution | 12K |
| Dynamic range | 16EV |
| Video outputs and transfer | SDI · USB-C · Ethernet / IP |
| Sensor stabilization (IBIS) | No |
| Internal RAW / X-OCN | Yes |
| Open Gate | Yes |
| XLR handle included | No |
| Version | cinema camera |
| Record format | BMD RAW · H.264 |
| FPS | 12K 80fps · 12K 100fps · 12K 120fps · 8K 144fps · 8K 224fps |
| Battery type | B Mount |
| Colour depth | 12 bit |
| Other features | Streaming · Proxy recording · Timecode · HDR · ND filter · Bluetooth · SRT · XLR input · RTMP |
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