The Blackmagic URSA Cine Immersive is the first digital film camera for Apple Immersive Video for Apple Vision Pro. Two 8K sensors with 8160 × 7200 resolution per eye, a fixed stereoscopic lens with a field of view over 180° and 16 stops of dynamic range record 3D video up to 90 fps into a single Blackmagic RAW file on an 8TB Blackmagic Media Module.
The Blackmagic URSA Cine Immersive is the first digital film camera for Apple Immersive Video for Apple Vision Pro. Two 8K sensors with 8160 × 7200 resolution per eye, a fixed stereoscopic lens with a field of view over 180° and 16 stops of dynamic range record 3D video up to 90 fps into a single Blackmagic RAW file on an 8TB Blackmagic Media Module.
The integrated design replaces complex multi camera 3D rigs: one camera captures both eyes with pixel level synchronization, and the footage continues into DaVinci Resolve Studio for editing, grading and export straight to Apple Vision Pro.

Blackmagic RAW files carry left and right eye calibration metadata and lens projection data. The included DaVinci Resolve Studio decodes them, shows them in the immersive viewer and exports for Apple Vision Pro.
The film curve uses the large amount of color data from the sensors: more natural skin tones and better rendering of saturated colors in high contrast scenes.
The camera comes in a Pelican case with a preinstalled 8TB module, top handle, Wi-Fi antennas, baseplate, power supply and B-Mount battery plate.
The 180° format for Apple Vision Pro combines ultra high resolution imaging with spatial audio and places the viewer at the center of the action – for drama, sports, concerts and documentaries.

The RGBW 23.66 × 20.88 mm sensors with a 2.9 micron pixel pitch capture 8160 × 7200 per eye with 16 stops of dynamic range. The RGBW architecture with equal amounts of red, green and blue pixels delivers rich color even at the 90 fps that immersive video needs.

Both 5″ HDR touchscreens show the lens space in a 180° view, toggle between the left and right eye and zoom into the image circle with a tap. Optional guides show the center of the frame and the approximate field of view of a viewer looking straight ahead.

Optical 2, 4, 6 and 8 stop ND filters with even IR filtering are matched to the camera colorimetry, and a precision mechanism moves them into place at the press of a button. The setting is shown as an ND number, stop reduction or fraction.

A rugged and lightweight body with quiet backlit buttons, a fold-out 5″ touchscreen and an assist station with a second 5″ screen on the right side. The camera has two 12G-SDI outputs for monitors with different overlays and 10G Ethernet for network media access.

The Blackmagic Media Module 8TB is fast storage right inside the camera: it records dual 8K 90 fps for hours and makes files accessible over 10G Ethernet. The module fits the Blackmagic Media Dock, and a 16TB module is available for longer recording.

The camera is powered via an 8-pin LEMO 24 V connector at the rear, there is a Fischer connector on the side for accessories and the battery plate has a 2-pin LEMO 12 V output. A 250 W power supply and a B-Mount plate for BEBOB, IDX, Blueshape, Core SWX and other batteries are included.

The free Blackmagic Camera app for iOS controls white balance, ND filters, frame rate, shutter angle and record start over a wireless network – the operator and crew stay out of the expansive immersive frame.

Resolve Studio for Mac decodes the stereoscopic 8K 90 fps files and offers an immersive viewer, color correction tools, Fusion for 3D titles and ASAF spatial audio mixing in Fairlight. Projects can be streamed to Apple Vision Pro or exported as AIVU.

A rugged Pelican case with custom foam holds the camera, a preinstalled and formatted 8TB module, top handle, high speed Wi-Fi antennas, baseplate, power supply and B-Mount battery plate. A DaVinci Resolve Studio license is included.

Two XLR inputs (mic, line, AES, phantom power), two 12G-SDI outputs, reference and timecode input, USB-C expansion port, 10G Ethernet RJ-45, +12/+24 V DC power input, 3.5 mm headphone jack and 3-pin Fischer RS for record start/stop.

Blackmagic URSA Cine Immersive features a fixed, custom lens system pre-installed on the body, which is designed specifically for Apple Immersive Video. The sensor delivers 8160 x 7200 resolution per eye with pixel level synchronization and an incredible 16 stops of dynamic range, so cinematographers can shoot 90fps stereoscopic 3D immersive cinema content to a single file. The custom lens system is designed specifically for URSA Cine’s large format image sensor with extremely accurate positional data that’s read and stored at time of manufacturing. This immersive lens data — which is mapped, calibrated and stored per eye — then travels through post production in the Blackmagic RAW file itself.
The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help filmmakers move quickly on set. Customers also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio, and more. The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. The right side of the camera features a dedicated assist station with a second 5″ HDR touchscreen that allows crew to work around the camera without needing external monitors.
An 8-pin Lemo power connector at the back of the camera works with 24V and 12V power supplies, making it easy to use the camera with existing power supplies, batteries, and accessories. Blackmagic URSA Cine Immersive comes with a massive 250W power supply and B mount battery plate, so customers can use a wide range of high voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. Customers will also receive a top handle, antennas for high speed Wi-Fi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up.
Blackmagic URSA Cine Immersive comes with 8TB of high performance network storage built in, which records directly to the included Blackmagic Media Module, and can be synced to Blackmagic Cloud and DaVinci Resolve media bins in real time. This means customers can capture over 2 hours of Blackmagic RAW in 8K stereoscopic 3D immersive, and editors can work on shots from remote locations worldwide as the shoot is happening.
The new Blackmagic RAW Immersive file format is designed to make it simple and easy to work with immersive video within the whole post production workflow, and includes support for Blackmagic global media sync. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.
Blackmagic URSA Cine Immersive is the first commercial, digital film camera with ultra fast high capability Cloud Store technology built in. The high speed storage lets customers record at the highest resolutions and frame rates for hours and access their files directly over high speed 10G Ethernet. The camera also supports creating a small H.264 proxy file, in addition to the camera original media when recording. This means the small proxy file can be uploaded to Blackmagic Cloud in seconds, so media is available back at the studio in real time.
Blackmagic Media Dock accelerates post production workflow by making it faster and simpler to start editing and performing color correction. Customers can mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine Immersive cameras all at the same time. The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and is extremely fast, even when a lot of users are connected at the same time.
Blackmagic URSA Cine Immersive Features
DaVinci Resolve Immersive Features
The Blackmagic URSA Cine Immersive works with accessories from the URSA Cine platform: additional recording media, a viewfinder or monitor, battery plates and rigging parts.
Media and docks - Blackmagic Media Module recording modules and docks for fast network sharing of footage.
Viewfinder and monitor - Electronic viewfinder and monitors that connect with a single USB-C cable.
Power - Battery plates for B-Mount, Gold Mount and V-Lock batteries, 24 V batteries and a charger.
Rigging - Baseplates and a top handle for tripod and handheld rigging.
| Manufacturer: | Blackmagic Design |
| Category: | Compact cameras |
| Resolution | 8K |
| Type of bayonet | integrated lens |
| Output | 12G SDI |
| Maximální rozlišení videa | 8K |
| Video výstupy a přenos | SDI · USB-C · Ethernet / IP |
| Version | cinema camera |
| Record format | BMD RAW |
| FPS | 8K 90fps |
| Battery type | B Mount |
| Colour depth | 12 bit |
| Other features | Timecode · ND filter · Bluetooth · XLR input · 3D |
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